Gentle contemporary styling in an a cappella setting gives this a feel reminiscent of The King's Singers. A beautiful text speaks of longing for love and security. "So stay with me, held in my arms. Like
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"May the roads rise up to meet you, may the winds be always at your back... until we meet again." Available in a cappella and accompanied versions, the lovely choral texture utilizes straightforward rhythms
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Three Pieces for Chanukah is not so much a set of arrangements of familiar words and tunes as it is a set of original compositions based on them. The mood of the third setting is extremely upbeat;
Three Pieces for Chanukah is not so much a set of arrangements of familiar words and tunes as it is a set of original compositions based on them. The first piece, Oh, Chanukah/Y'meit
A welcome "big choral" setting of a classic spiritual, this unaccompanied setting has divisi in all parts, a touch of chromaticism that is totally in character, and plenty of variation in texture, tempo,
A jubilant concert opener, this bold choral setting is written in a rocking 12/8 meter and contains moments of fanfare chords, quartal harmonies, and a gently flowing middle section which builds to a
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Based on a traditional English carol, this original a cappella piece for mixed divisi chorus is a great way to open a Christmas concert or service. The close harmonies and imitative textures give the work
A minimum quantity of 10 is required on this title.
The text is by Rabindranath Tagore, a native of Calcutta whose poetic songs were viewed as spiritual and mercurial, but not well known outside Bengal. The mystical and quiet opening gives way
Crossing the Bar, one of Alfred, Lord Tennyson's most famous poems, is set as a journey. This journey begins at sunset in a minor mode and finishes in the relative major after having crossed the
This a cappella setting of the traditional Latin text for Christmas features a lush harmonization and a unique melodic voice. With significant divisi, this challenging work features some mixed meter and
"Work is love made visible." Based on poetry that blends Christianity and Sufism (Islamic mysticism), the text is adapted from a chapter of The Prophet by Lebanese-American author Kahlil Gibran. It
Based on an Inuit proverb, this reflective piece sets a mood of contemplation by using a leisurely text rhythm and lush chords. The proverb's counterpoint to the title is that stars are our
This well-known motet by Heinrich Schutz is more accessible than ever in this arrangement for a cappella SSATBB choirs. This edition contains conservative ranges with added dynamics and articulations to
Straightforward rhythms, dissonances, and close harmonies depict the clear and radiant divine essence of this a cappella meditation on the angel Gabriel's greeting to Mary. A poetic translation is included,
Three Pieces for Chanukah is not so much a set of arrangements of familiar words and tunes as it is a set of original compositions based on them. The second setting features a jazz-influenced,
Composed at the request of the choral ensemble Sospiri, this short a cappella work sets three 1915 texts of the French poet Guillaume Apollinaire. Each text deals with aspects of his life during the
With a text from Psalm 80:2, this a cappella piece is traditionally used on the third Sunday of Advent - the Gaudete or Rejoicing Sunday. The beginning quotes the "Alleluia" from the original chant, and
This setting is a stirring rendition of Sara Teasdale's poem. Stunning chords with delicate dissonances emerge in phrase after phrase. The words beautifully share an expression of love that the music
This brief but poignant a cappella work begins with a melding of the music and text in a bittersweet way. The music grows more animated as it progresses, adding quite a bit of dissonance to the harmonic