Revelation 20

Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory

Remaining true to the verbatim text but using a fresh rhythmic approach to the venerable melody VICTIMAE PASCHALI LAUDES, this contemporary spin on the Easter Sequence is sure to enliven your celebration of

The gentle and sweet melody of this bilingual setting of the Crux Fidelis hymn from the Misal Romano and Roman Missal evokes the infinite love of Christ, who died on the cross for us. Scored for SATB choir

With well-placed poignant dissonances, the refrain melody captures the yearning nature of Jesus' statement in Matthew 26: "Father, if it is not possible for this cup to pass without my drinking it, your

With six verses for general use and another six specifically for Holy Thursday, this liturgically flexible assembly song is a moving reflection on God's boundless love for us. It touches on topics of faith,

Underscored by a mild keyboard syncopation, this assembly song provides a fresh, contemporary sound for the traditional text. Set for choir accompanied by keyboard, guitar, and solo instrument in C, the

Inspired by the Gospel account of Mary Magdalene's vigil outside Christ's tomb, the refrain captures the voice of Mary as she waited outside the tomb, while the verses speak in the voice of the Risen

A new edition of this early Martin hymn resetting! In this version, the key has been lowered and the rhythms adjusted to reflect a more traditional approach to the text, refining the anthem for reverence

A cello obbligato adds warmth and depth to this hymn setting of the familiar text and tune LOVE UNKNOWN. The choir sings in unison with the congregation for much of the anthem, breaking into SATB on stanza

Richly scored for choir with both descant and soloist parts, and accompanied by keyboard, guitar, flute, oboe, viola, and cello, this contemporary piece uses dramatic harmonic language to paint a lush

The composer wrote the poetry of this dramatic and stirring anthem while visiting the Holy Land. The text reflects on Jerusalem's role in the Passion story and musically captures the emotion with intense

Genevieve Glen's reflection on the passion, death, and resurrection of Christ is effectively set to music for choir, keyboard, guitar, and solo instrument in C. The included simple hymn version complements

This piece set for choir and assembly for use on Good Friday marries a paraphrase of the Solemn Reproaches with the Latin chant AVE VERUM CORPUS. The invocation and five verses are in unison, representing