Galatians 6

Now available in a TTBB voicing, this authentic arrangement of the classic motet gives men's and mixed choirs the opportunity to perform this important piece by one of the most important composers of the

From the Gounod opera "Faust." Here, young Valentin's heartfelt prayer abounds with conflicting emotions, offering singers an opportunity to consider the devotional yet enthusiastic text and operatic style

Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory

With the option to perform a cappella or with basso continuo and cello, Monteverdi's masterwork breathes new life in this edited version for divisi mixed choirs. An exciting texture that bridges the

This piece from Missa Abreviada, CPM 112, has been edited for choir with solo quartet and piano accompaniment. Beginning slowly, the piece moves into a spirited fugal setting of the traditional Latin

Schubert, composer of over 600 lieder, elevated the art form by creating settings that give equal consideration to the melody, piano accompaniment and painting of the text. This adaptation of a classic lied

Beginning with joyous acclamations, this exuberant piece features a polyphonic middle section followed by a lyrical presentation of the "amens" and the return of the homophonic style in the closing

From Handel's first English masterwork, "Acis and Galatea," this lively chorus offers singers valuable experience in working with and performing Baroque melismas. The music is cheerful and colorful,

This is one of Clara Schumann's settings of a Heine text set for choral voices in the original key of E-flat major. After the score opens with four full measures of introductory music, chromatic harmony is

The melody has a simple innocence, but the harmony provides great warmth and subtlety in this touching love song by Clara Schumann arranged for choral ensembles. Set in a modified strophic form, the setting

A sprightly and refreshing piece, this fits perfectly in any program about spring, nature, or singing itself. It reminds us that, although often overlooked, there were many fine women composers active in

Energetic tempo, soaring vocal lines, and unified rhythmic texture create a rousing setting of Schulze's text about Jager (hunters) roaming the forest. The strophic form and straightforward harmony make

Many of these editions would not have seen the light of day had it not been for the extensive research and determination of Martin Banner. Here, this rather obscure Kyrie by Johann Adolf Hasse is

This Italian Baroque masterwork is an eight-minute work for mixed choir with a quartet of SATB soloists featured throughout. Largely polyphonic, it explores dramatic Baroque phrasing, articulation, and

The spontaneity and charm of Mozart are evident in this brief choral work. While contrasting sections allow considerable space for musical interpretations, the entire work provides countless teaching

The allure of night proves an endless delight when Wordsworth's words are married to Redford's music in this probing triptych. The music serves the poetry in deliberate tones, now surging wildly, now ebbing

Five classics from the Romantic era make this a useful and valued collection for mixed choruses in schools, colleges and communities. Includes: Abendlied (Josef Rheinberger); Abendstndchen

Brahms' best songs are small, priceless jewels. They are unusual, mysterious, inventive, bass heavy, uncomplicated, melodious, and they are glorious creations! Op. 63, No. 8 O wusst' ich doch den Weg

Here is the beautiful final movement from Giacomo Carissimi's oratorio Jephte. Originally for SATB choir, soloist, narrator and instruments, here is a new arrangement for tenor/bass voices that

This well-known motet by Heinrich Schutz is more accessible than ever in this arrangement for a cappella SSATBB choirs. This edition contains conservative ranges with added dynamics and articulations to

An excerpt from Handel's "Israel in Egypt," this carefully edited edition is the perfect concert opener or festival piece. Scored for double choir and piano, this Baroque staple is made

This is a work by a little known 17th century Italian composer, lutenist, and nun - Sulpitia Cesis. In groundbreaking research by Meredith Bowen, we not only learn that women sang in the early church but