Partly in Scots Gaelic, partly in English, this Scottish tune is great fun for tenor-bass choirs! The title translates to "A Small Drink at the Door." A cappella, with plentiful unison lines and traditional

This rousing English music-hall song was arranged for the hit television production of Agatha Christie's Why Didn't They Ask Evans? The song accompanies the final wedding scene and is full of joy

This selection is a gentle lullaby based on an old Welsh folk song. With limited divisi towards the end, it has beautifully lyrical writing and will be a warm and welcome addition to any concert.

Commissioned by the Choir of Trinity College (Melbourne) for their U.S. concert tour in 2020. This minor-mode lullaby is set in close harmonies which amplify its dual nature: sometimes soothing, sometimes a

This sturdy arrangement is based on a spiritual folk song that appeared in a number of American hymnals beginning in the mid 19th century. Angels Hovering 'Round appears in The Revivalist hymnal of

A true classic for tenor-bass choirs, this Shaw–Parker edition features beautiful harmonies in a sensitive setting. Originally arranged for and recorded by the Robert Shaw Chorale, it is an enduring

This classic arrangement was originally scored for mixed voices and is now available for treble choirs! Jazz harmonies are found throughout this lovely a cappella setting which is full of opportunities to

Treble choirs will love the rich vocal writing, dissonance and challenge of this artistic, haunting and stunning arrangement of the well-loved folk song.

The haunting tone of this traditional Appalachian folk song is beautifully expressed in this arrangement by Voctave's arranger Jamey Ray. The a cappella harmonies shift between closer contemporary harmonies

An absolute classic for tenor-bass choirs, this rousing a cappella arrangement of a traditional English sea shanty features a bass soloist in a call-and-response texture with the choir on several of the

A veteran seafarer gives advice to a young new recruit in this traditional Scottish sea shanty. This robust arrangement possesses solid harmonies and is eminently singable and fun, similar to the style of

Featuring a tenor soloist in a call-and-response texture on several of the verses, this traditional American sea shanty setting was originally arranged for and recorded by the Robert Shaw Chorale.

"Bright morning stars are rising...Day is breaking in my soul..." This Appalachian folksong, arranged for a cappella voices, has a contemplative, spiritual quality. Opening and closing with a trio, it's a

Alice Parker has created a setting of this beautiful American song that is simple, authentic, and warm. A good chance to feature a soloist, with accompanimental choral parts beneath.

In this dynamic arrangement of the Huddie Ledbetter tune, Greg Gilpin has captured the strong rhythmic pulse and harmonic energy that is characteristic of the Lead Belly style. To intensify the driving

This lively setting of a beloved Robert Burns poem brings to mind charming images of Scotland. Very achievable and fun with great vocal construction, making this a good option for high school and above. A

Arranged mostly in two parts, these traditional folk songs are all in English and originate in England and America. Songs: Deaf Woman's Courtship; Green Gravel; The Bird Courting Song; Come All Ye Fair

This a cappella piece is a modified round with added descant and hand clapping, this piece is loaded with excitement and spirit.

Here's an exciting treatment of this additive folk song from Newfoundland that sings like a sea shanty. Traditionally sung during the Christmas season, it can also be performed as a dynamic concert work at

This a cappella setting of Danny Boy by Trevor Gomes is unique and lovely. Following a stark opening, the piece grows in richness and vocal parts, with stirring harmonies and a graceful conclusion.

Sumptuous harmonies surround the beautiful melody of this traditional Irish folk song that tenor-bass choirs will absolutely love to sing. A hint of jazz influence and a