Translating to "let us sing," this inspiring and joyful canon with original French text encourages your singers to find joy in singing together. Perform this piece in unison or with up to four parts, with
With quick entries that have a waterfall effect, this canon for one to four voices is a commentary on our relation to the earth and time. Perform the piece a cappella, with piano, or with bourdon, and make
Rounds are fantastic for learning to sing in harmony - and these five original rounds are both varied and fun! A variety of texts and tonalities offer a positive singing experience for any choral ensemble.
Inspired by African folk songs, this canon about a cat is energetic and playful. Perform with one to four voices in one of two keys, a cappella or with piano accompaniment. And don't forget the
A fun and witty collection of twelve original rounds to sing and share with friends and choristers of all singing abilities. Soulful, silly, meditative, boisterous, spooky, and poetic – use as
With beatiful Afrikaans lyrics and a catchy, accessible melody, this canon for one to five voices is an ode to Mother Earth. Perform the piece a cappella or with the optional piano accompaniment – and
This arrangement of a West African song of greeting from Ghana is an a cappella canon with optional percussion. Body percussion as well as parts for shakers, high drum and low drum are included. With its
With up-tempo and lyrical movement, this joyful canon contains text in both English and French. Perform the piece with one to three voices, in one of two keys, with piano or a cappella. Don't forget to add
Rounds are useful for so many different skills in choral development. This series of 72 step-wise diatonic rounds can be used as an introduction to sight-singing as well as a method for developing vocal
The six varied rounds in this collection offer numerous choices for developing ensembles. Rounds are a pedagogical staple that can develop ensemble blend, tone, and unified vowels through the introduction
This tuneful a cappella canon is a valuable resource for teaching and reinforcing part-singing. The jaunty melody is presented first in unison, followed by a round and plenty of "fa la la" phrases. Add the
This arrangement of a simple Flemish Renaissance canon by Clemens non Papa for SSA voices and five handbells - which could be played by the singers - is typical of canons in that it sounds more complex than
Chosen with the teacher's time and ease of teaching in mind, this three-song collection offers plenty of options to choose from: solfege or original text, unison or in rounds, a cappella or singing with
This original round sends a joyful message to singers and listeners alike. Composed for flexible voicing, the round is successful in two or three parts giving beginning choirs a chance to stretch their