Isaiah 62

Based on the theme of bringing your whole self into the act of worship, this gathering song for SATB choir, assembly and piano also includes optional instrumentation: flute, tenor saxophone, trumpet,

Calling us to remember to seek peace with one another as we approach the altar, this octavo is sure to become a beloved part of your repertoire. The memorable melody is set very accessibly for SAB choir,

This anthem is a response to the words and deeds of the Risen Christ, connecting the language of the resurrection with the demands of discipleship. It will be appropriate throughout the Easter season

From Tony Alonso's collection Revival, this piece uses the traditional tune LAMBILLOTTE and adds a modern accompaniment. Scored for SAB choir, assembly, keyboard, and guitar with optional trumpet

This prayer for unity is paired with a traditional Irish melody. Depending on its use, the arrangement may be presented in a prayerful, reverent, legato style or a brighter tempo with more spirited energy.

In Spanish and English, this setting of an Easter Alleluia uses SATB voices, cantor, assembly, keyboard and guitar with C instrument, trumpet, cello and percussion. The instrumentation adds layers of joy to

For SAB choir, cantor and assembly, in English and Spanish, use for communion or anytime inclusion is celebrated. 

Matthew Koraus has crafted a sturdy and very singable set of acclamations for the Eucharistic Prayer based on the hymn tune Diademata, ideal for the long season of Easter as well as Christ the King and

Adam M.L. Tice's graceful, prophetic, and challenging text encourages us to create peace and to be thoughtful stewards of creation. Moving from a unison verse to choral harmony and then to the melody with

This piece features a congregational refrain, highlighting the notion that in the Lord's Supper all are united and all are called to transform the world after being fed in Holy Communion. Scored for piano,

A simple and easily singable song to the familiar tune MELITA, this piece was written to be used as a way to pray for those who have suffered loss, for the first responders to any crisis, and for all who

This gentle setting of Psalm 84 is set for SAB choir, optional cantor/soloist, piano, and optional strings. It has a lyrical refrain that is easily accessible to your congregation. It is well-suited for

A beloved text is given a fresh setting in this ballad-style arrangement for choir and piano (optional guitar and congregation). Two verses in harmony give way to a third in unison with soprano descant.

Solo driven, this contemporary setting of Psalm 145 invites assemblies to join in with its infectious keyboard accompaniment and easy-to-sing melody.

Based on Psalm 138, a psalm rich with images of human worth, this piece is a call to cherish the uniqueness of every human person and their dreams. Small or large groups will find this effective, and

A gentle tune cradles this heartfelt text from Adam M. L. Tice. The piece starts simply with a soloist and piano accompaniment introducing the tune, then grows musically and textually as more voices are

"Anywhere you may go, you are God's child." This tender folk ballad sings of comfort and trust in God's care. It can be sung by a soloist, trio, or choir with keyboard accompaniment, and the flute, guitar,

From the new collection Revival, this piece adds a modern accompaniment to the traditional tune ST. FLAVIAN. Scored for SAB choir, assembly, keyboard, and guitar with optional C instruments. For

Like many psalms of lament, the poetry of this song features a tension between outcry and hopefulness. The entire song may be sung by unison choir or begun with soloists. Allow the piano to begin alone,

Within three short verses, Adam Tice's rich, evocative, and complex text expresses the breadth of the paschal mystery, the suffering and sacredness of creation, human greed, and the Christian call to

This beautifully orchestrated anthem is based on a text from The Confessions of St. Augustine. The verses can be sung by soloists or by a section of the choir. The refrain is written in parts and can