These introits offer a fresh take on the beloved hymn VENI, VENI EMMANUEL. The tune is the basis for the refrain, and the verses match the Roman Missal – one for each Sunday of Advent. While intended
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Descending angels in the form of your sopranos and altos are accompanied by an optional heavenly harp in this anthem written with Eastertide text. The scene between the three Marys and the angels and the
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For cantor and choir with organ accompaniment, a responsorial anthem for advent.
Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory
For choir, cantor, assembly, and keyboard. The music was composed and the texts appointed for both the ordination of a bishop and the Chrism Mass. The verses of Psalm 89 and the Gospel Acclamation feature
Based on Gregorian chant, this ninth-century antiphon is given new life as an urgent plea for peace. A sense of powerlessness and desperation is reflected in the use of free and mixed meter, while
In Spanish and English, this setting of an Easter Alleluia uses SATB voices, cantor, assembly, keyboard and guitar with C instrument, trumpet, cello and percussion. The instrumentation adds layers of joy to
This simple and solemn arrangement of The Roman Missal Entrance Antiphons sets a prayerful and jubilant tone for each of the Sundays of the Easter Season. Flexible performance options are included, from
Adapting the words of the evening hymn Before the Ending of the Day, this rich a cappella anthem wraps the singer and listener in the warmth of God's love with a confident plea for His grace,
This short, joyful Introit (or Call to Worship) is a setting of familiar phrases from the Book of Psalms. The work is built from five motives. Motives 1 and 5 are presented (and repeated) individually; the
Seven different verses from the lectionary are included in the octavo, each focusing on some aspect of the word of God. In its simplest form, it can be performed with assembly, cantor and keyboard. There
This dignified and practical setting for the veneration of the cross is complemented by SATB voices and chant. The antiphon is in Latin and Greek, while the verses are in English. The writing is
Tallis' response intended for the Feast of Corpus Christi can be sung at any Eucharistic service. The chant is placed in the second tenor part, and the setting can be sung as a straight-through motet or
This glorious musical depiction of the honor, strength, power, and authority of the Holy Trinity by Thomas Tallis is part of the series of English responds from the 16th century, edited by Sally Dunkley. It
The "alleluia" refrain for the sprinkling rite and again for the gospel acclamation uses the melody of the undulating vesper antiphon the Liber usualis. The sprinkling rite is scored for cantor,
This collection of short a cappella pieces is based on seven familiar messages of Jesus: I Am the Way; Do Not Let Your Hearts Be Troubled; Feed My Lambs, Tend My Sheep; Let the Children Come to Me; A
Scored for SATB choir and accompaniment, this accessible setting pairs the Lamb of God text from the Ordinary of the Mass with the tune THE FIRST NOWELL, making it easy for the congregation to sing with the
This short refrain was written either as a dismissal of the children from the service or when children are the focus of the service. Its cheerful, upbeat nature will be appealing to children, and its
Composed for an a cappella SATB chorus, this brief through-composed piece of the Latin text alternates traditional monophonic chant (for one or more cantors) with chanted choral responses set in a
These two responsories draw upon texts from the Liturgy of the Hours for the first Sunday of Advent and the Nativity Vigil. Because the sopranos soar to high A-flat and the basses never drop below the
Centered on G, but utilizing quartal and quintal harmonies that evoke parallel organum - the music of the era of the early medieval Roman rite, when the text was written - this challenging Responsory for