Ephesians.5

In the SSAA voicing, this piece went viral when the Colorado All-State Treble Choir sang from the balconies in a hotel lobby! This a cappella arrangement of the folk hymn made popular in the movie "O

A fast swing intro punctuated by piano, bass, drums, and finger snaps leads into a jazzy arrangement of the traditional spiritual unlike any you've ever heard. The choral parts are fun to sing with scoops,

The driving forward motion begins with the hushed opening and never lets up! This a cappella setting of the traditional spiritual is musically satisfying with full choral harmonies and fun vocal

This jazz-infused gospel original was inspired by the great spirituals of the past. Marked by invigorating rhythms, bluesy melodies and full harmonies, with a truly authentic gospel-style piano

A statement of faith through the voice of the enslaved, this straightforward and effective setting will resonate with treble choirs at varying levels.

This driving arrangement mashes up two iconic melodies: Give Me Oil in My Lamp and Swing Low. This work is accessible while still being meaningful and fun to sing, with a message of joy

Langston Hughes' powerful poem addresses the issues of racism, division, poverty, and greed, and Dilworth's inclusion of the African American spiritual I've Been in the Storm So Long

A challenging new arrangement of the old gospel favorite Get on Board. Here is a rare opportunity for treble choirs to imitate the "woo-oo" of a train as the melodic ideas pass through the various

This superb a cappella arrangement is an inspiring tribute to the heroism of Harriet Tubman. Vocal percussion effects, well-written harmonies, train sounds, and call-and-response singing work together to

This setting builds from melancholy reflection to an outpouring of joy, with tempo changes, solo fragments, a little divisi, and some rhythmic diversity along the way. Some extended vocal lines, with quite

Adapted from the gospel-style interpretation of the hymn His Eye Is on the Sparrow originally performed and recorded by the Georgia Mass Choir, this setting is an inspirational choice for gospel,

"What will I do with the portion given to me? I will sing." This fantastic work, written in a gospel style with an ecumenical text that challenges each of us to make the most of the lives we've been given,

The walls of Jericho come alive with a fresh take on the beloved spiritual for treble choirs. An opening lyrical section blossoms into a more traditional upbeat setting with a stylized gospel piano

A setting of a Civil Rights-era standard with driving piano and simple, direct vocal arrangement with lots of unison singing. Accessible for choirs of any level and any age and a great cross-curricular

Written to honor Rollo Dilworth, whose feel and insight for choral gospel music is reverent and accessible to all, this composition incorporates lyrical quotes from some of Rollo's great arrangements,

A welcome "big choral" setting of a classic spiritual, this unaccompanied setting has divisi in all parts, a touch of chromaticism that is totally in character, and plenty of variation in texture, tempo,

This upbeat swing arrangement of a popular American spiritual features your accompanist with a honky-tonk flavored piano part. The positive message is set with approachable and enjoyable choral parts and an

Premiered at the World Choral Symposium in Minneapolis, this gospel praise song was inspired by the spiritual Over My Head. The dynamic piano accompaniment adds to the excitement, making this a

"Over my head I hear music in the air, there must be a God somewhere." The traditional spiritual is a mix of hopeful lyrics about the future, despite our current afflictions. This setting brings an exciting

From two very important composers of our time, the lyrics in this monumental work challenge ideas of racism and discrimination, while the music combines jazz and traditional choral techniques. No

Brimming with dynamic contrasts, rhythmic nuances and textual percussiveness, this spirital is an absolute thrill to sing and hear. "When I go to walk that golden street, nothin' gonna stumble, stumble my

Inspired by the Joseph Jennings arrangement of this same tune for Chanticleer, this arrangement combines the five-syllable "halleluia" with the timeless melody of the old spiritual. A true gospel piano part