Titus.3

These pieces offer teachers and performers an original material designed for both educational and performing purposes. They are very useful for learning to play together at different levels and perfectly

Sextet for a combination of mallet instruments and multi-percussion setups. The melodies and grooves reflect the spirit of the title.

Absence of Color was written in the winter of 2007 and received its premiere at Elon University, North Carolina in April, 2008. The music and the poetry came in response to two friends being pulled

Ad Astra is an homage to the state of Kansas whose state motto is "Ad Astra Per Aspera" or "To the Stars Through Difficulty." This composition is an exploration of minimalism, composite

Mahler's masterpiece from Symphony No. 5, this arrangement is quite true to the original. Will require at least three advanced players, with skills in tenor and treble clef. Being able to subdivide is a

Derived from the Spanish word "adelante," meaning "forward," Adelant is a sextet for 2 vibes, 2 marimbas, piano, and percussion that seeks to create a cinematic & immersive listening experience for both

Here is a piece for advanced percussion ensemble requiring skill with a number of playing techniques and no small amount of rudimental chops from each player.

A percussion sextet with a strong 3/4 feel capturing the mood of a bullfight. This piece is a tribute to the late Max Albright. Parts 1, 2, and 3 are scored for mallet instruments while the rest are scored

For percussion sextet.  First printing.  Written for Michael Burritt and the percussion students at the Eastman School of Music.  One movement work with performance notes.  Score, 16 p.

The difficulty of this marching groove powerhouse stems from the use of hemiola throughout the piece and occasional mixed meter. The snare, timpani and tom parts are great for showcasing more advanced

For 2 oboes, English horn, 2 bassoons & contrabassoon. First printing. Composed for the 2018 International Double Reed Society's Annual Conference in Granada, Spain. Duration: ca. 6' 30". Score, 14 p.

This Andaluza (or Playera) is part of a set of 12 Spanish Dances written in 1890, now arranged for six flutes. The color and harmonies lend themselves so well to the sonorities of a flute ensemble.

This Andaluza (or "Playera") is part of a set of 12 Spanish Dances written in 1890. The color and harmonies lend themselves well to the sonorities of a clarinet sextet.

Commissioned by the Monmouth Chamber Ensemble for their Bicentennial Concert, the Harp part can be played on a synth with a Harp patch or the piano if no harpist is available.