These interludes are intended to create an atmosphere, and to suggest subconsciously the words of the different hymns with which they are associated. They are designed to be played by the hands alone, but
These settings will prove to be an essential part of your repertoire of Communion music. The settings are accessible and tasteful, and although written for organ, can be played by pianists as well. Contents
Creative and accessible, this Lloyd Larson setting of Marty Haugen's inspirational and versatile hymn is a joyous anthem for use throughout the year. A lovely optional instrumental accompaniment helps to
Delicately nuanced, this arrangement of SAMANTHRA from Kentucky Harmony is a treasure among early American sacred songs. A restrained piano part moves the work forward, and the vocal writing is
A minimum quantity of 10 is required on this title.
This rich statement of the hymn tune ST. PETER involves full mixed choir, organ and brass in a glorious proclamation of unity for the worshipping church. Suitable for festival Sundays, missions
This gracious and lovely concertato for SATB, flute, and organ, with optional brass quartet, employs the tune SCHMUECKE DICH with a communion text by Joel Lundeen. The instrumental introduction is a dialog
A minimum quantity of 5 is required on this title.
From the Revival collection, this piece takes the tune ST. COLUMBIA, adds a modern harmonization, and pairs it with the text from Baker and Hatch. Scored for SAB choir, assembly, keyboard, and
This gentle work scored for SAB voices, cantor, assembly, keyboard, and guitar with optional C instrument and cello is based on the John 13:35 text, "This is how all will know that you are my disciples, if
Gorgeous original material seamlessly mingles with treasured hymns, including What Wondrous Love Is This; Jesus, Lover of My Soul and I Stand Amazed in the Presence. Unison