This appealing jazz standard is a great way to feature your vocal soloist and liven up a concert. The style is medium swing, the key is F, and every section of the band gets a chance to shine.

Here's an up-tempo and intense Latin/swing chart to challenge your ensemble. Includes a tenor sax feature and an open solo section, a rhythm section interlude, a slower swing section near the end, and a

Let your baritone sax player show off with this chart! This swing tune with featured solo has a dark yet curious feeling to it that your musicians will have a great time playing. 

Salute the unsung hero of the jazz ensemble, the piano player, with this accessible piano feature! 88 Ave. B is an accessible Basie-style swinger that features the piano throughout

Originally written for the Sammy Nestico Dark Orchid recording and later reprised on A Portrait of Sammy, this iconic swing chart gives all the solo work to piano, first in the opening 48 measures, then

Recorded by Mariah Carey in 1994, this familiar tune has become a perennial holiday favorite. Arranged here as a vocal or tenor sax solo feature with big band, the opening rubato section is followed by a

Reminiscent of the classic version by Count Basie, here is a terrific medium swing setting of this familiar standard for vocal solo with jazz ensemble. In the event a vocalist is not available, an optional

Here's Jerome Kern's fabulous standard in a swinging arrangement by Roger Holmes. With tasty accompaniment figures and a relaxed feel, your vocalist will have a blast singing this chart, and sound great

This soulful arrangement of the patriotic favorite, skillfully crafted by Mike Tomaro, is perfect for jazz concerts! Written to feature either a vocal or alto sax soloist, it gives you plenty of flexibility

Jazz groups with a strong lead alto sax player will enjoy this ballad in film noir style. Its smoky harmonies and wistful melody are broken up with a double-time swing section before a powerful reprise at

Composed and arranged by Scott Ninmer, staff writer for the U.S. Army Band, this well-crafted original is a must-have. Rich harmonies and syncopated figures are just a couple characteristics of this fresh

Originally recorded in 1961 by Jorgen Ingmann, but better known for the 1981 recording by The Sugarhill Gang, this funky hit remains a favorite. Feature your drummer or an additional percussionist (bongos,

As the title suggests, this is a beautiful melodic feature for alto sax. In addition to the haunting tune, there are subtle supportive ensemble figures that weave a rich fabric of accompaniment and include

Transparent and gentle textures permeate this treatment of Jeff Coffin's lyrical South African-inspired jazz waltz. Commissioned by Jeff for the 2011 Massachusetts All-State Jazz Band, Bob Washut's

Play it again, Sam! This one can be used as a vocal solo or vocal group feature (SATB or SSAA). The voice leading is just right, and the band gets a spot to open up, too. Vocals in C/Db.