Hebrews 4

This medium difficulty chart refers to the scenic road through Pebble Beach and Pacific Grove on the Monterey Peninsula in California, much of which hugs the coastline and passes famous golf courses,

Need a great opener or a burning closer? 702 Shuffle can take care of either spot on the program! With a strong melody, an infectious groove and solid ensemble work, this Bret Zvacek composition

Originally written for the Sammy Nestico Dark Orchid recording and later reprised on A Portrait of Sammy, this iconic swing chart gives all the solo work to piano, first in the opening 48 measures, then

Originally featured on the Yellowjackets CD Altered State, this big-band version was commissioned by East Carolina University. Elements of funk and Brazilian samba contribute to the unique groove

Composed and arranged by Scott Ninmer, staff writer for the U.S. Army Band, this well-crafted original is a must-have. Rich harmonies and syncopated figures are just a couple characteristics of this fresh

Featuring killer ensemble work, a strong melody, a wonderful sax soli, an open solo section with written or ad lib solos, and a memorable finish, this hard-driving shuffle will ignite any program!

Los Angeles-based jazz composer Jeff Jarvis composed this tuneful funk chart entitled Backdraft. This medium-level chart has all the characteristics of Jarvis' best-selling funk charts such as

Here is the perfect combination of an infectious melody, great scoring and many of the swing figures that are essential for younger players to learn. With flexible scoring, this

Whether your jazz band has some experience or is in the developmental stages, this medium-tempo swingin' blues chart is suitable for all performance situations. All sections have

The combination of a medium swing groove, essential swing figures and blues-based harmonies all add up to make Blue Q an ideal chart for young jazzers to learn the basics of big-band ensemble

This laid-back bossa nova features a smooth and relaxed feel, nice section exchanges, effective full ensemble passages, and an open solo section with chord changes offered for 1st tenor sax. The