Philippians%204

This delightful Mozart favorite has been beautifully arranged for handbell quartet. It is true to the original with phrasings and styles supported by perfectly placed articulations and dynamics. The

Written for piano in 1877, the title came from a performance suggestion made by the composer to "play both hands turned sideways, so that the movement of the hands imitates a chopping motion." This version

This lovely quartet combines bells and chimes to achieve a peaceful mood. Performance notes are given throughout. The E7, F7, and G7 are marked as optional bells, therefore this arrangement may be played

Mallets and mart. emphasize the joy in Angels We Have Heard on High. 7ths and 9ths create a meditative mood in Silent Night.