Psalm.19

S.E. Fauble's treatment of this carol is authentic and engaging. For groups that would like an additional challenge, one section has a more difficult ossia as a choice for performance. Suitable for church,

This setting of the favorite Christmas song is an effusion of joy and celebration! The lively tempo and driving rhythms give this piece a brilliant sparkle, and the varied keys, harmonies, and moods

One of Christian radio's most popular song of praise is brought to handbells in this sweet and thoughtful arrangement. Resist the urge to... view details

This wonderful song, made famous by Louis Armstrong's quintessential recording, is set here by Sandra Eithun for 3-6 octaves of handbells with optional handchimes and wind chimes. Calling forth the lyrics,

An original composition inspired by Psalm 18:10 envelops listeners in a gentle and serene atmosphere reminiscent of the soft murmur of a breeze. With the optional mark tree adding to the ethereal quality of

"A Winter Scene" is based on the Gustav Holst tune CRANHAM and Christina Rossetti's poem "In the Bleak Midwinter" beginning as an impressionistic and literal presentation of the poem's first stanza:

This popular secular Christmas classic is made exciting with the use of a variety of techniques and the surprising rhythmic shifts. The piece begins quietly but quickly grows to a full, exhilarating

Perfectly titled, this joyous piece will lift your spirits! The original tune set in a lilting 6/8 has a memorable melody with bold harmonies, making it a great choice for concert or worship. The

Paul McCartney played every instrument on this 1979 Christmas hit but with this arrangement you won’t have to! The addition of the optional hand drum, sleigh bells, and 3-5 octaves handchimes will

Yesu Ananipenda, which means "Jesus loves me" in Swahili, is a joyful, upbeat original composition. The piece also includes the beloved Sunday school song Jesus Loves Me by William

Chordal in nature, this piece includes much use of contemporary, dissonant harmonies. Pay extremely close attention to accidentals and tempo changes.

"A ni sogoma" in the Bambara language of Mali means "The king is coming" – with the expectation of gathering in harmony and peace. Exultant and exciting with lots of rhythmic interest, this original