Using the familiar hymn tune W Zlobie Lezy, this Easter anthem is quickly learned but makes a powerful impact. Unison singing alternates with sections of four-part writing and the last verse
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From the cantata Festival of Faith, this flourish of Easter praise is the perfect high point for Easter Sunday. The well-known hymn tune ENGELBERG receives a syncopated and mixed-meter upgrade,
Based on the well-known tunes VICTIMAE PASCHALI and CHRIST IST ERSTANDEN, this composition will be a welcome addition to any church library. Extremely adaptable, it features optional brass and assembly
This exclamatory anthem is a joyous proclamation of Christ's resurrection. The regal opening features bold choral divisi before settling into a unison statement of the fanfare-like melody. The final section
This joyous and lilting Easter anthem draws the listener to celebrate that "Christ is risen from the dead." With minimal SATB writing, this will be an excellent anthem for a smaller choir. The violin and
This dynamic Easter hymn from the Getty writing group offers an unforgettable Celtic celebration. Joel Raney creatively sets up the opening with a hint of the traditional spiritual He Never Said a
Announcing the majesty of the risen Christ, this anthem exudes a rhythmic vigor befitting its strong text. A regal melody leaps expressively, supported by syncopated piano figures and hymn-like harmonic
This regal and festive Easter anthem celebrates the vanquishing of darkness on that Resurrection morning. Several chant-like interludes are fixed between vibrant, fanfare-like music.
With an active piano part, exclamations of "alleluia" and Charles Wesley's well-known text, this anthem will move congregations to get caught up in the celebration of Easter day. SATB writing throughout and
This setting of Charles Wesley's classic text to Nancy Hill Cobb's original music is majestic and triumphant. Each phrase of the text is treated with care to portray its power and effectiveness between the
Building from a rhythmic ostinato, this triumphant anthem arrangement soars with energy and grandeur on the DIADEMATA hymn tune. Cleverly interweaving Beethoven's HYMN TO JOY, in addition to the powerful
This regal selection provides the makings of a high moment of praise for the gathered church. Between the choral fanfares at the beginning and end, the congregation is invited to join the choir in this
Easter triumph resounds from the opening fanfare of this brilliant arrangement of LANCASHIRE. Scored for SATB voices and organ, it features congregation throughout and optional brass quartet and timpani.
An impressive Easter opener, this arrangement employs voices, handbells, and brass in a quintessential gesture of praise! An antique hymn tune is given a bright new role in this approachable setting,
This Easter Sunday introit is a perfect way to begin your resurrection celebration with a powerful opening for choir, organ, brass, and handbells. The text is a verse of Crown Him with Many Crowns
This rousing original Easter anthem, with organ and brass accompaniment, lifts a chorus of "alleluias" in praise of the risen Christ. This is an exciting anthem for Easter!
Noble gestures call the faithful to worship the risen Lord in this festival offering. Leaping with triumph, the tune lifts the Latin phrase "Christus resurrexit! Resurrexit vere!" to soaring
The power and excitement of the Resurrection are captured in this dynamic new setting of the familiar EASTER HYMN. Mixed meters and modal harmonies are contrasted with a simply set section that the
The ancient hymn tune PUER NOBIS comes from Ireland, and this celebratory anthem takes the melody - and listener - back to its Irish roots! With four-hand piano accompaniment and a tambourine for
This piece uses a relentless rhythmic drive, word painting, and vocal slides to vividly illustrate its message. The phrase "The Son went down on the killing floor" unflinchingly revisits the sacred symbol
G.F. Handel's iconic Hallelujah Chorus is an annual tradition for thousands of choirs around the world. Here is the standard version in all its glory for SATB choir with full orchestral
G.F. Handel's iconic Hallelujah Chorus is an annual tradition for thousands of choirs around the world. Here is the standard version in all its glory for SATB choir with a piano or organ part
A distinctive way to open your resurrection celebration, this grand Easter fanfare by Mark Shepperd is scored for mixed chorus with brass quartet, plus optional timpani.
The joy of the opening and closing sections can be communicated with precise diction and rhythm, in contrast with the expressive central section. The 7/8 measures of the melody are always grouped 2+2+3,