Philippians 3

This work was composed as an art song and has been adapted for choir without losing any of the qualities of the original. There is a flexibility in form and expression, and the piano is very much one of the

Ludwig van Beethoven composed his Elegiac Song in memory of Eleonore Pasqualati, the wife of his longstanding friend and patron Johann Baptist Freiherr von Pasqualati zu Osterberg, who died at a

This setting of the Joseph Campbell poem presents us with the inside view of an emigrant who is going to leave his native land in a few hours and before this, has a farewell party with relatives and

A lively a cappella setting of the Gloria. While adding to the complexity, independent vocal lines at times and changing meters also add to the charm of this work.

A very fresh and different a cappella arrangement of this classic hymn. Using the traditional melody, new harmonic ideas are introduced which add a modern flair.

A bluesy gospel arrangement of this traditional spiritual which will absolutely delight your choir and astound your audience. This is sure to become a choral standard for community and collegiate

This a cappella SSATB setting of this popular song widely known in the British Isles is one of the few choral versions available. Energetic, lively, and full of nonsense words, this work will delight your

The traditional carol set first in French, then in German, and finally in English. Each section is set off with a vocalise section.

Text, melody and arr.: from Cabin and Plantations Songs as sung by the Hampton Students, ed. by Thomas P. Fenner 1874.

This art song was originally composed not for chamber choir but for solo voice and piano. It has been carefully adapted to suit the requirements and expressive possibilities offered by a larger

This work sets this traditional text quite simply to reflect the foot-washing moment of the Good Friday liturgy in a beautiful motet which is both charming and satisfying to sing. In an entirely tonal

A careful and thoughtful SSAATTBB transcription of the Wunderhorn song, originally set for solo voice and used in the fourth movement Mahler's second symphony.