Swinging Cuban song. Included in the series "Felicidad, songs from Cuba". Lyrics in Spanish and Swedish. Lyrics in Swedish and Spanish.
Renowned performer, conductor, teacher and composer Carol McClure draws upon her lifelong interest in the music of the Shaker communities of her native Kentucky. This rousing, compelling setting is perfect
A minimum quantity of 5 is required on this title.
Incredibly nice! John Rutter's superb talents are evident in this sprightly, uplifting original Christmas carol. Voice ranges are exceptionally good and totally supported by the rhythmic piano or harp
Availability Information
This item is only available by rental. You must contact the publisher directly to rent the item.
A minimum quantity of 3 is required on this title.
Two settings for SS and piano or orchestra.
Both are rhythmically exuberant settings of colourful medieval texts, sparkling with vitality and humour.
With a light classical touch, this anthem is in 2-part voicing for Sopranos and Tenors (or Second Soprano). Based on a classic Psalm passage.
Setting a well-loved medieval text, this effective piece paints the story of Jesus' birth through lyrical melodies and beautiful harmonic surprises.
One of the Trois chansons folkloriques which also includes Un Canadien errant and Les raftsmen, this Quebecois folk song was originally known in France as Mon pere a fait
A minimum quantity of 20 is required on this title.
This item must be purchased directly from the supplier though we may still have stock. Add to cart to check availability.
Drawn from the music of the Shaker communities of Kentucky, this simple, effective setting is appropriate for younger voices and is a great teaching tool for exploring the historical context of this
This attractive and accessible setting of the much-loved sacred text was composed for the New London Children's Choir to celebrate its 25th anniversary. Suitable for intermediate standard school and church
Written and composed in 1848, this Shaker tune was almost unknown until Aaron Copland used the melody in his ballet "Appalachian Spring" in 1944. Since then, it has become very popular and appears in many
With a text by Eugene Field, Higgins's charming melodies gently rock in compound time and begin in unison before growing into a simple two-part texture. Supported by a busy piano part that mimics the
A minimum quantity of 10 is required on this title.