An unaccompanied saxophone trio (A-A-A/T) begins from the "git-go" with the melody in the first part with parts two and three adding harmonic and rhythmic interest. A brief modulation and interlude leads
Published with multiple woodwind parts for each of the three voices plus piano. The piece begins with a rather traditional solo and then joined by an imitative second part. The piece continues in block
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In 1609, Michael Praetorius harmonized the version of Lo, How a Rose E'er Blooming with which most of us are familiar. His contemporary, Melchior Vulpius, created a four-voice canon on the same
Originally part of three pieces for cello and piano, this has been skillfully transcribed for organ and solo instrument (flute, oboe, violin, or clarinet). A reflective andante in A minor, this duet is
This famous work for young band is available in an arrangement that can be performed by a variety of instrumental ensembles. All the sensitivity and musicianship of the original are evident in this
This acclaimed instrumental solo series has been enthusiastically embraced by skilled instrumentalists seeking resources for worship and concert. These hymn settings showcase Brant's idiomatic understanding
Clarinet Stylings is a compilation of ten hymn settings designed to offer performers a wide variety of sacred idiomatically suitable for the clarinet. Seasonal, patriotic, and general hymn tunes
Works for English horn and organ are rare, yet the combination is well suited to share this early-American pentatonic tune by Lowell Mason. Occasional unique harmonies are mixed into this calming and
Six arrangements for intermediate flute and piano that will add warmth and meaning to the Christmas season during any worship service or holiday performance. Titles include: Lo, How a Rose E'er
Perhaps the most beautiful of Johann Sebastian Bach's melodies, Come, Sweet Death has been transcribed for clarinet quartet reflecting performance interpretations created by organist, Virgil Fox,
Perhaps the most beautiful of Johann Sebastian Bach's melodies, Come, Sweet Death has been transcribed for clarinet choir reflecting performance interpretations created by organist, Virgil Fox, and
A traditional early American hymn scored for a medium-advanced instrumental soloist. A good choice for communion and other special moments during a worship service.