This is the most appealing arrangement of a spiritual that has been done in a long, long time! The beginning employs a unique treatment of the word "hush" that emphasizes the last two letters of the word in

Copland's treatment of this classic Shaker melody reintroduced the tune to an entire century of Americans. Set here for mixed, treble, or tenor-bass choirs and piano, it retains all the characteristic

Hauntingly beautiful melodic lines and a supportive accompaniment gently interweave to evoke the marvelous imagery in this classic Rachel Field poem. This piece is excellent for teaching phrasing, blend,