Already chosen for several all-state choral festivals, this exciting a cappella choral fanfare is the perfect concert opener. The text, in Italian and based on lines from Dante's The Divine Comedy,

From the Grammy-nominated work The Lost Birds, this simple melody inspired by children's songs is a setting of Sara Teasdale's poem "In the End." Showcasing her signature pairing of nihilism

With a Hebrew text, use of the augmented second interval and melodic formulas common to Hasidic and Middle Eastern music, and the use of traditional folk instruments, this original song has a completely

"The latest sun is sinking fast, my race is almost run..." The beloved American folk hymn from Kirchner's Heavenly Home collection comes to life anew, with soaring descants, countermelodies, and rich

The first word of Psalm 119 is both the first and last word of this music- "Blessed." A cappella and solemn, this piece cannot and should not be rushed. It is relaxed, free and prayerful, and all those who

From Three Motets for Unaccompanied Choirs, this work for SSATBB voices is a strong contest/festival selection for mature choirs.

Beautiful a cappella chant-like melodic ideas, a rich and flowing harmonic texture, wonderful text from Bianco da Siena's Laudi Spritualis and Rossetti's A Christmas Carol all come

Sung on only one syllable, this piece has a ringing, shimmering quality indicated in its performance notes. This is meant to be sung without a conductor with singers spread throughout the performance space

With modern dissonance and free tonality, this entire piece drives toward the last line of the Stacy Gnall poem: "big brother, I am catching up to you." One long, rhythmic race, this selection will be a

A collection of three early American folk hymns: Hallelujah, a six-part a cappella setting of the Sacred Harp tune; Angel Band, an eight-part a cappella setting of the beloved William

Here is a well-known summer psalm in Sweden. A fresh take on this traditional melody will be a joy and a surprise to singers and listeners alike.

This lyrical and passionate work for treble choir, cello and piano features flowing, rich harmonies and exhilarating dance-like passages offering the promise of sensual beauty, joyful connection and

Margaret Walker's text leaps off the musical page as words crying to be sung. "My grandmothers were strong. They followed plows and bent to toil." This was not frailty - this was determined womanhood

Setting the imagery of the Sarah Hudlow poem, this rich and emotional poem inspires image rich musical textures. Written for SATB Divisi choir and soloist, a cappella, advanced singers will love the

"If we can be happy and live well without causing unnecessary harm, why wouldn't we?" This simple and yet profound question is an invitation for choir, listener, and all of us in this beautiful new work.