This traditional English canon is presented with haunting musicality. Set as a round, singers are introduced to harmony in a manner that is easy to execute and includes comfortable ranges and familiar

Written for young and developing voices, this straightforward concert setting of a classic vocal canon is full of teaching moments in phrasing, vowel placement, breath support, and the use of solfege. The

The follow-up to the popular Book of Rounds for mixed voices is here! Useful in the rehearsal setting for high school choirs and above, each piece offers the choral classroom the opportunity to

A series of seven rhapsodic musical rounds, with words by Julie Flanders and music by Emil Adler, recorded by an angelic choir of singers from Yale University. These rounds will be fun to rehearse and

"Find hope, shine hope, sing hope." This simple melody stacks into a three-part canon by the end of the song, building the skills of developing part singers. A quote from Emily Dickinson's poem Hope Is

The traditional Ubi Caritas text is uniquely set as an up-tempo jazz waltz. Just one sentence in Latin plus a few English lyrics make it clear that this song is all about charity and love. The

You probably know what it is, but do you know how to make it? This delicious piece spells it all out in a playful, original canon for mixed, treble, or tenor-bass ensembles. Prepared with old English flair,

How many ways can you say "friend"? This sweetly singable canon uses the word "friend" in 16 different languages, spanning cultures from six continents. Presented in unison, two- and three-part canon, this

Based on the well-known Jubilate Deo canon, this accompanied setting adds a new B section melody to create a glorious concert opener or festival selection for younger choirs. The simple Latin text will

This tongue-twisting, rhyming round is a kick! Fun to sing, it also moves into countermelodies and simple harmonies. From the opening statement through to the end, this selection maintains a delightful

With an uplifting text, skillfully written vocal lines and a light and supportive accompaniment, this is a solid opening selection for concert or contest use. The limited-range melody based on the word

A canon written in the 18th century, this arrangement highlights the lilting character of the early Classical period. It is very easily learned because each part sings the melody of the canon. Bright and

The traditional German folksong has received a fresh, new contemporary treatment with an energized piano accompaniment. Cleverly utilized vocal bell sounds are sprinkled throughout to bridge the main melody