This bright setting of the beloved chorus from Handel's "Messiah" is straightforward and accessible to intermediate choirs. Its bold sound is bound to inspire your congregation or concert audience.
A minimum quantity of 6 is required on this title.
Handbells rung in chordal texture with lots of spicy techniques thrown in are only part of the overall sound ensemble of this tune originally written by T. Susato. Keyboard, percussion, and brass contribute
Bach's famous chorale is transcribed here for handbells by a master arranger. True to the choral score, ringers will be challenged to keep the triplet figures smooth throughout.
Taken from a Renaissance dance, this tune may be simple, but it has a style that is both fresh and exciting. A great choice for beginning and school groups, and one that more experienced choirs can learn
This arrangement of an Elgar piano classic (translation: Love's Greeting) is simple to learn for most intermediate choirs and features flowing melodies and lush harmonies. A sweet
Audiences love this familiar Baroque piece and will enjoy it even more when played on a series of bell trees. Transposed into the key of C, the piece can be played on bell trees from G4 to C6 or G7, with
This faithful transcription of the exciting march from Vaughan Williams' folk song suite will wow your audience! Taken at speed, your ringers will have quite a challenge, but the result will be worth
Berceuse (literally, cradle song) stays true to the sweet, lilting nature of the classical work. Originally written for solo violin and piano, it transfers to 3 octaves of handbells very
This Ralph Vaughan Williams classic is a standard in band and orchestra literature and is sure to become a standard in the concert handbell choir's repertoire as well. The second movement of this legendary
Three titles are included with many performance suggestions. Titles are Allegro Maestoso (Handel); Dance of the Sugar Plum Fairy (Tschaikovsky); and We, Thy People Praise Thee
Haydn’s familiar "Surprise" symphony springs to life in this fun piece with thumb damps or marts and echoes. Optional repeats allow for a longer performance. Easy eighth-note runs for a few ringers
Show that your concert group is BACK!!! This first movement of Vaughan Williams' English Folk Song is standard in band and orchestra literature, and this bold and vibrant work is even more magnificent on
Try adding handbells to your baccalaureate service using this arrangement! Use alone or with the organ for a grand entrance!
This transcription of the famous Intermezzo from Act IV of "Carmen" is full of spice and sass! Optional triangle and tambourine (or castanets) add to the fun. A great encore for your concert!
Two of Bach's best-known keyboard Inventions, #13 and #14, come to life in these settings for handbells. Some octave doublings, filled-in chords, and LV's have been added to better adapt the pieces to the
Debussy's First Arabesque is a classic of impressionistic piano repertoire. This faithful transcription reserves the gentle, flowing style of the original. Chimes are optional but used very
Fauré's Pavanne, originally written for the piano but often performed by an orchestra, translates well to handbells or handchimes. The setting provides an excellent opportunity for choirs to