Original Concert Works

First written for string orchestra, Water Reflections by Yukiko Nishimura has now been beautifully scored for full orchestra. In this setting, the gorgeous melodies are expanded with new harmonic depth and

Upon reading Edward Esch's poem Light and Gold, Eric Whitacre was immediately struck by its genuine, elegant simplicity. He asked the celebrated American poet Charles Anthony Silvestri to translate

This popular work scored here for full orchestra is the first movement from "Krisanna's Colors," a suite inspired by the color choices used to describe the daily emotions and moods of a terminally ill

At times hard-hitting and rhythmic, at times flowing and fanciful, Esprit is an exhilarating work for the young orchestra. Parts for trumpet in C and B flat have been provided. Percussion serves to

This medium level full orchestra piece explores three tableaus of human/equestrian collaboration: one dignified and martial, a second festive and light hearted, and a third tranquil and thoughtful. Although

The third movement from "Krisanna's Colors," this delightful and energetic selection for concert and festival performance is scored here for full orchestra. The piece is inspired by a terminally ill child's

Prayers in Villafranche for full orchestra relives a sanctified moment listening to a pair of worshipers singing a polyphonic chant in the empty Collegiale Notre-Dame-des-Marais, heard by

This is a stunningly beautiful treatment of The Last Rose of Summer. Technically accessible, it requires the utmost control and sensitivity.

Centuries-old sea shanties made the drudgery and monotony of a sailor's work more tolerable. Sung on the decks of merchant, fishing, and whaling ships, these often colorful songs have become an important

Written for full symphony orchestra, this light and lively march provides a nice "Sunday afternoon in the park" feel. While cut-time meter is prevalent, there is a brief 6/8 section that makes this march