Beethoven several times described his Missa solemnis as his greatest work, explaining that it came "from the heart." The surviving sources show us how intensively and how long he worked on the
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With its tonal language, the first of Beethoven's two Masses opens up new worlds of expression for the liturgical texts of the Mass which are expressively modern and forward thinking. Not to be considered a
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In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasia. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the
In his Passion oratorio Christ on the Mount of Olives, Beethoven succeeded in building on the 18th century oratorio tradition while putting his own personal stamp on the German-language oratorio.