Derived from the first movement of Beethoven's Sonata for Four Hands, Op. 6, this challenging arrangement for String Quartet can also serve without the first section repeat as a perfect tour-de-force

Commissioned by the Monmouth Chamber Ensemble for their Bicentennial Concert, the Harp part can be played on a synth with a Harp patch or the piano if no harpist is available.

The third fugue from Fasolo's Ad Cenam Agni Providi, Op. 8. Violins and viola play mostly on their lower strings, which creates a Renaissance viol-like sonority.