Craig Curry has transformed timeless carols into unique jazz settings that will energize Christmas services, recitals, parties, and more! Titles include: Come, Thou Long-Expected Jesus; Dance of the

This Time / Last Year is a gorgeous, lyrical Metheny-style tune in 6/4. Featured are flugelhorn, alto and tenor on a haunting melody accompanied by plenty of ensemble power and a "bring the house

Games is a ferocious funk/fusion chart with a double-time swing bridge. This exciting modern chart features slap bass and solos for alto 1 and guitar. The chart roars to a big ending that will

This creative chart is a wild trek through multiple styles and energy levels. Part of the Metroplexity Big Band series, it's reminiscent of modern wind ensemble overtures. Adventures includes a

Forgotten Thoughts is a cool jazz style, 16-bar minor blues that channels the best of Oliver Nelson and Stan Kenton. The chart features a rewarding soli for jazz trumpet and saxes and a

I'm Okay, We're OK! is a burnin' mainstream up-tempo blues with a half-time funk section. This is the perfect fast swing opener or closer for festivals or concerts. Commissioned for the

Going in Circles is the only vocal chart available in Jeff Coffin's extended big band catalog. With lyrics by brilliant jazz vocalist Liz Johnson, this tune jumps between an easy Monk-like waltz

As the title suggests, Time Management is an up-tempo, odd and multi-meter swing chart based loosely on the blues progression. Winner of two Global Music Gold Awards, this challenging chart

School of Thought is a hard-swinging, mainstream bop style tune with an exciting Latin "B" section. It's a great opener featuring solo space for tenor sax 1, trumpet 4, alto sax 1, guitar, and

Bob Washut's Beneath the Mask is a very enjoyable, somewhat ECM-style chart for proficient groups that features an even-eighth jazz waltz style that highlights lead alto and guitar

Matt Harris' funky rock tune includes conservative ranges, fully notated rhythm section parts, and repetitive rhythms, making it playable by advancing groups through professionals. The piano has a solo

This tune has some very wide intervallic leaps in the tenor part and is influenced by Michael Brecker's Delta City Blues. It's a free-blowing piece and is super funky. Arranged by Nashville's

A Gordon Goodwin vocal chart! In addition to the vocal part, there are optional solo feature parts for alto sax, tenor sax, trumpet or trombone for added flexibility. Gordon has conceived this with the solo

This is the show closer that will bring down the house! The main groove is a funky boogaloo at about 103 bpm, plus a band chant, a swing section, and a gospel feel. Flexible solo space with written