You are going to love this chart! Full of flavor and funk, there is plenty of groove and energy to go around in this blues-based chart. Your trombone soloist will love the opportunity left open to solo in
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Here is a superb chart on a wonderful jazz standard. Typically a ballad, this treatment is a straight-eighth feel with smooth cascading lines. Written-out solos are provided for trumpet and alto. Includeds
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Delight your holiday audiences with a charming and colorful set of variations on this popular Christmas carol. This jolly setting leads to a colorful Spanish bolero, a rousing march, and a Bach-style fugue,
This clever setting for brass quintet with narrator of Clement Moore’s classic Christmas poem entertains and amuses young and old with imaginative scoring and special brass effects to tell the
This exciting new funk-rock chart is great for developing ensembles with its strong rhythm section writing and fresh harmonic writing. Your band is going to love this chart inspired by the hit song from The
This cinematic overture-style work will immediately entrance your audience with the rapidly unfolding colors and textures of the opening. It combines several glorious fanfares and sweeping lyrical lines in
A beautiful, joyous melody and driving rhythms create a message of hope in this uplifting original work. Perfect for a developed middle school or high school string orchestra, this piece features simple
Drawing inspiration from the iconic American patriotic song, this dynamic and stirring piece takes the familiar melody of America the Beautiful and transforms it into a captivating fanfare
This authentic-sounding arrangement for educational full orchestra includes some of the greatest music from the James Bond franchise: James Bond Theme; Goldfinger; Nobody Does It Better; Skyfall
Mister Fred Rogers, the television personality who championed children's education and social equality, was especially fond of the numbers 1, 4 and 3 signifying the number of letters in "I," "love" and
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It's ok to be off! This chart's harmonic structure uses only the last eight bars of a 12-bar blues - the first four bars of a typical blues are missing! - hence the title 1/3 Off. A perfect
Building upon his best-selling vocal series, the Mark Hayes Piano Library Series features many of the same songs adapted for solo piano. These exquisite arrangements bring a fresh touch to classic carols
Following the success of the first volume, Mark has put his special touch on ten more classic carols such as Away in a Manger; O Come, O Come Emmanuel; Jesus, Oh What a Wonderful Child and more.
The Mark Hayes vocal series features well-crafted signature arrangements that have become an indispensable resource for singers throughout the years. This newest addition to the series further explores the
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Feature the warm tones and depth of sound of bass clef instruments for a delightfully different sound this holiday season! Arranged for a quartet of bass clef instruments in any combination, these
These ten toccatas based on familiar hymn tunes are exciting and accessible and make ideal postludes for worship. Contents include: AUSTRIAN HYMN; DIADEMATA; DUKE STREET; EIN’FESTE BURG; HANSON PLACE;
Ten pieces expertly arranged by J. Micahel Case. There are familiar titles like O Holy Night and Panis Angelicus and other works not widely known. Lesser known pieces by Corelli, Arne, Holst,
Recorded by Dan + Shay and Justin Bieber, this contemporary love song broke records as the highest-charting non-holiday country song in history on Billboard's Streaming Songs chart. This choral adaptation
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This beloved modern hymn has been expertly arranged in a contemporary a cappella setting for worship choirs. Background vocals function as accompaniment to a tenor lead, and optional vocal percussion or
A spirit-filled worship song from Matt Redman and Jonas Myrin becomes a fantastic choral setting by Heather Sorenson that can be used effectively with groups of all sizes. This is a dynamic offering for the
This flowing arrangement of the popular worship song utilizes suspended malleted bells in the second verse, and a lighter texture with unique harmonies for the third verse. Expressive ringing and a timeless
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