The final movement from the larger work "Missa Romantica," this beautiful setting of the Agnus Dei text in Latin from the Missa Brevis appears in two versions: the first is accompanied as it appears in the

The fourth movement from Missa Brevis No. 2 that was commissioned by the Valdosta State University Chamber Singers. This work incorporates ideas and idioms prevalent in American folk and popular music,

This a cappella arrangement of the traditional spiritual was featured at the 2016 TCDA convention in San Antonio, Texas. Accessible to choirs of different skill levels, this exciting setting will be a

While these two works share the same title and text, they are vastly different works and cannot be performed simultaneously. The SATB version is scored for mixed voices and one piano,while the SSAA version

Extracted from the fourth movement of the larger work "Missa Romantica," this setting of the traditional Latin text appears in two versions: the first is accompanied as it appears in the larger work; the

This May Day song scored for four-part male voices begins almost like a prayer, and then suddenly, over a very lively piano accompaniment, the tempo picks up as the text moves from a prayer-like tone

This a cappella work features two short pieces: In Winter and I Heard a Bird Sing. A challenging soprano solo appears halfway through the first selection, supported by the choir and a

This work uses a gorgeous harmonic setting with an engaging text and a circular motif to create movement and energy throughout. There is a short soprano/mezzo soprano solo/duet and some divisi in all voices

This work is based on the D-Day prayer that President Roosevelt delivered to the nation by radio on June 6, 1944 as the invasion of France by Allied troops was underway, and is still very relevant today as

Commissioned for the Mississippi Girlchoir, this text from Jean Ingelow, beautifully set by James Mulholland, reminds us what is truly important in life. The changing meters and extensive chromaticism will

This exciting setting of the Latin text extracted from the larger Missa Romantica appears in two versions: the first is accompanied as it appears in the larger work; the second is an a cappella version for

The second movement from Missa Brevis No. 2 that was commissioned by the Valdosta State University Chamber Singers. This work incorporates ideas and idioms prevalent in American folk and popular music,

This impressive work is filled with wonderful rhythms. Featuring African drums and hand claps, it is composed for tenor solo (performable by soprano) with choral backup. A joyful, vibrant work!

This fabulous Christmas gospel choir piece includes a solo that begins in the middle and carries to the end, with some of the parts notated and some improvised. The addition of the bass, drums, and horn