The final movement from the larger work "Missa Romantica," this beautiful setting of the Agnus Dei text in Latin from the Missa Brevis appears in two versions: the first is accompanied as it appears in the

This a cappella arrangement of the traditional spiritual was featured at the 2016 TCDA convention in San Antonio, Texas. Accessible to choirs of different skill levels, this exciting setting will be a

Extracted from the fourth movement of the larger work "Missa Romantica," this setting of the traditional Latin text appears in two versions: the first is accompanied as it appears in the larger work; the

This work uses a gorgeous harmonic setting with an engaging text and a circular motif to create movement and energy throughout. There is a short soprano/mezzo soprano solo/duet and some divisi in all voices

This work is based on the D-Day prayer that President Roosevelt delivered to the nation by radio on June 6, 1944 as the invasion of France by Allied troops was underway, and is still very relevant today as

Perfect as a closer for any concert or performance, this homophonic, a cappella setting is rich in harmonic texture and has a lovely and memorable melodic line. "Though you leave here today and your shoes

This exciting setting of the Latin text extracted from the larger Missa Romantica appears in two versions: the first is accompanied as it appears in the larger work; the second is an a cappella version for

The theme of love, so wonderfully expressed in this E.E. Cummings poem, is conveyed subtly and wistfully through this musical setting. Growing in density as the piece progresses, the music captures the

The opening movement from the larger work "Missa Romantica," this gently flowing setting of the Kyrie text in Latin from the Missa Brevis appears in two versions: the first is accompanied as it appears in

With a theme of hope and peace, this work uses both independent vocal lines and homophonic sections to musically match the text powerfully. "Let our earthly lives point to the truth. Let our song be one of

Extracted from the third movement of the larger work "Missa Romantica," this setting of the traditional Sanctus text in Latin appears in two versions: the first is accompanied as it appears in the larger

With only a flute accompaniment, this arrangement sets the wonderful words of the poet Lily Band sometimes as a soundscape, sometimes as a tone poem, and sometimes as just a mood or feeling. The harmonies

A driving and rhythmical opening section which returns after a contrasting middle section and traditional harmonies interrupted by unexpected and powerful nontraditional chords are the compelling features

This artistic and interesting setting uses a lovely text by Sara Teasdale that centers on memories of places and people. The music uses multiple meter changes, tempo changes, independent vocal lines, divisi