This is a brass trio with piano accompaniment. The brass scoring is for trumpet, horn or flugel horn, and trombone or baritone. The style is presented in a majestic manner first in block harmonies and then

A brass trio scored for trumpet, horn (opt. trp.) and trombone, (opt BHTC), the introduction uses the opening passes of the hymn and then modulates upward to the hymn now harmonized where it modulates even

An accompanied brass trio for trumpet, horn (or trumpet), and trombone (or baritone horn TC). The piece begins with a motive that is imitative and builds in intensity until the theme is presented in the

A trio for trumpet, horn, and trombone with piano and optional snare drum. It begins with an extended piano using a soft tremolo while a muted trumpet plays Taps. The motive is echoed in the horn

A brass trio for trumpet, horn and trombone with optional parts for trumpet and baritone. A somewhat straightforward piece from the standpoint of melody but it has a constantly evolving sense of texture.

This trombone trio begins with a joyful piano introduction which leads into a three part harmonization of the instrumental parts. The second section is a lilting (waltz feel) in block harmonization and then

This trumpet trio begins with a joyful piano introduction which leads into a three part harmonization of the instrumental parts. The second section is a lilting (waltz feel) in block harmonization and then

A straight forward trio for trombone (with optional horn and baritone T.C. parts) that is well balanced in the scoring. The melody is tossed around between the various parts, while the piano tends to act as

A brass trio scored for trumpet, horn (opt. trp.) and trombone, (opt BHTC), The introduction opens with a motive that is passed amongst the three parts, The first presentation of the tune is likewise

A trombone trio with opt. BHTC that is unaccompanied. The introduction begins in a duple meter with unrelated thematic material. The first section is presented in a chordal fashion with pedal in the third