This G. Schirmer arrangement of Mozart's communion motet Ave Verum, for choir and organ accompaniment. A singable English text and the original Latin text are included.
A minimum quantity of 10 is required on this title.
Jointly commissioned by a consortium of choruses to benefit the programs and services of Chorus America, this socially conscience work merges a Christina Rossetti text with words from choir students in
After an opening that evokes a confused and troubled world, this work bursts into a sweeping attempt to drive the world's coldness away in favor of love. Flute part included.
This is the third in a series of works by the composer for chorus and marimba. While the others explore virtuostic capabilities or extroverted exuberance, this work is concerned instead with the narrative
This text by contemporary American poet Jenna Lanzaro sparkles with energy and demands the same from the music and singers. The opening motive is a cell that germinates into an overwhelming force. The
This Shaw–Parker edition has become a staple in choral programs and libraries throughout the world. Victoria's masterwork is a stellar example of 16th-century polyphony.
Singer/songwriter Eliza Gilkyson wrote Requiem as a song of grief following the Asian tsunami in December 2004, and the song found a renewed audience after Hurricane Katrina devastated the Gulf
Adapting the text from the James Whitcomb Riley poem A Song of Singing, here is a song for tenor/bass choirs that celebrates the joy and exuberance of singing. With a fast and jazzy feel
Exploring the sound world of Northern India while setting the words of Bengali poet Tagore, here is a stylistic work suitable for any advanced or community choir. The English translation is the poet's own
This work uses five adapted sacred texts celebrating love, life and joy. The opening music sets the text from Isaiah, "The whole earth is at rest and is quiet," and the final music bursts forth with "For ye
This a cappella setting of a traditional Irish blessing uses soft dissonances and free-flowing counterpoint to speak of those who give support in times of trial. The occasional divisi voicing creates a