1 Corinthians.13

A charming piece from the children's collection A Trip to the Zoo. A keyboard-accompanied round with original lyrics and four very independent parts. Intended for children's ensembles, performance

This piece, using text adapted from the Song of Songs 2:11-12, is a song of human love and spiritual devotion. The initial motif appears successively traveling between the chorus, in canon in the piano

Text from a Gaelic prayer is beautifully set in this lyrical concert work. The flowing piano accompaniment and moments of unexpected harmony make this piece engaging yet accessible to high school and

Inspired by the writings of young singers, the text of this original work provides simple yet impactful ways to bring about change in the world. Accessible and lyrical part writing supports the message "If

With the feeling of a medieval procession, this uplifting and uptempo a cappella arrangement for Advent is a great addition to any music library. Wonderful melodic lines, beautiful harmonies and the

This work opens with a choral fanfare, setting a tone of grandeur, followed by a playful melody which features interjections of exaltation, and then moves to a lyrical tune through which singers may take

A very accessible setting of this classic spiritual, this is wonderful for those just starting to learn part-singing. Useful for both school and church settings.

This arrangement for SSAA chorus is from the original set Due West for SATB chorus, which was commissioned by the Vancouver Chamber Choir in 1997. The simple, charming text by Tara Wohlberg is in a

This setting for SSAA chorus is an arrangement from Stephen Chatman's original set, Due West for SATB chorus, commissioned by the Vancouver Chamber Choir in 1997. The charming text by Tara Wohlberg

This unique setting pairs the iconic Latin text with a new, original English text which responds to the question: Why do we rejoice and shout our praises to God? The music captures the energy, rhythm, and

A setting of a poem by Nikki Giovanni that focuses on a young person's desire to play first chair. Part of a larger work entitled "Shoe Jazz," this youthful, exuberant, and individualistic piece with a text

A lovely piece for women's choir with oboe obbligato. The text is taken from Barter, the first in a set of Pulitzer Prize-winning poems from American poet Sara Teasdale. Despite the poet's history

"Will we ever reach the horizon? This is not the end, it is just the beginning." Ideal for final concerts and graduation events, this inspiring original work is a sophisticated yet approachable selection

This unaccompanied piece contrasts a simple unison motif with quick ostinato in the lower voices. The homophonic refrain clearly declaims, "All forces have been steadily employed to complete

This is one of Clara Schumann's settings of a Heine text set for choral voices in the original key of E-flat major. After the score opens with four full measures of introductory music, chromatic harmony is

The melody has a simple innocence, but the harmony provides great warmth and subtlety in this touching love song by Clara Schumann arranged for choral ensembles. Set in a modified strophic form, the setting

Beginning simply with soprano 1 in unison, this setting of the traditional text builds to a gorgeous full four-part contrapuntal Amen. The text then repeats, this time homophonically in four parts, with a

Commissioned by the Jacksonville Children's Chorus, this is a lively swing adaptation of the well-known and loved 19th-century song Jingle Bells. This arrangement makes use of finger snapping,

This strong tune and text speaks to the respect with which any nation treats the men and women who serve in their military. Beginning softly, the effect is like a parade that starts in the distance and

The upbeat multicultural feel of this piece combines great vocal lines and choral writing, modern driving rhythmic ideas, and a great message about uniting together on a collective "journey of hope." The

Written for the Jacksonville Children's Chorus, this SSAA setting of a Sara Teasdale text opens with a sort of call and response between the voices. The music then transitions to a contrasting key and a

Maya Angelou's poem Touched by an Angel is elegantly represented by the treatment of the text by the voice and the expressiveness of the piano accompaniment. The vocal writing successfully tracks

Scored for three or four soprano soli, SATB choir and hang (or piano, guitar, vibraphone or other accompaniment), this piece is very tonal but has an ethereal quality about it. Opening with a drone

A new musical setting of an exquisite text by Thomas Campion. While not overtly religious, the text inspires us in its spirituality, hope, and faith to believe in a power greater than ourselves. The musical