This accessible anthem unfolds with a beautiful melody accompanied by organ. With a text by Matthew Bridges, this serene anthem is appropriate for communion or peaceful times. Colorful and well crafted,
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This skillful setting of the popular Ave Maria text calls for organ, SATB chorus and mezzo-soprano soloist. The choral writing is interesting and engaging. This is yet another great example of Fedak's
Jaebon Hwang has set words from the prophet Jeremiah to beautiful and expressive music. Beginning with a chant-like melody, the music unfolds like a flower, mirroring the text speaking of a tree planted by
Psalm 133 is the text of this distinctive anthem by A.F. Schultz. Atmospheric, chant-like music opens the piece, which builds expressively to an energetic and thrilling conclusion.
King David's words to his son Solomon form the text of this dramatic anthem: "Be strong and courageous, and do the work." Eugene Butler's music, accompanied by organ, emphasizes the strength that God
This remarkable and powerful anthem for Holy Week is based on a seventeenth-century text of Francis Quarles. The drama of the trembling earth and tearing of the veil are vividly portrayed. The work ends
The text of this anthem reflects on God being ever-present and infusing all things. The music is lyrical and yearning, treating the words with great expressivity. Set for SATB divisi voices and piano, this
Latin and English text are combined in this canticle of praise. Mixed meters and the use of accents drive the energy of the piece. A mystical atmospheric section adds contrast before the return of the
Words of comfort from Psalm 136 are set to joyful, lilting music. Unison and two-part writing alternate with full SATB, all supported by the lively piano part. As in the psalm itself, the words of the title
This tender setting of George Herbert's beautiful paraphrase of Psalm 23 blends both old and contemporary elements. The lyrical melody returns across several verses, establishing a feeling of familiarity
This anthem combines words from Psalms 102 and 38 in both English and Latin. It begins beseechingly and maintains a penitent atmosphere throughout, calling on God for his saving grace. Stunning!
David P. Dahl combined verses from Psalm 84 with the hymn text Praise to the Lord, the Almighty in this moving anthem. Scored for SATB voices and organ, this thoughtful setting alternates a
One of the most dramatic and powerful texts in the Old Testament is the words of vision of Isaiah in Chapter 6. Stephen Burtonwood has made a stunning anthem from this vivid scene, employing a very active
Gabriel Faure's beautiful and beloved Pavane combines with original chant-like music by Lynn Trapp in this unique setting of verses from Psalm 119. Faure's music appears in the organ part, in
Words from the Gospel of John form the text of this motet by Henry Hinnant: "Lord, to whom shall we go? You have the words of eternal life." Beginning in a spirit of entreaty, the work ends in a place of
This strong setting of the Mag and Nunc is well crafted and engaging. The organ part is substantial and the excellent choral writing is, at times, a cappella. This creative setting is a great addition to
An Irish folk tune serves as the source for this wonderful anthem by J. William Greene with a text adapted from Psalms 45 and 95. The stirring melody is supported by an accompaniment evoking bagpipes and
This scripture passage from Philippians speaks to Jesus receiving the "name above all names" and proclaims that "at the name of Jesus ev'ry knee shall bow." Beginning and ending prayerfully, this anthem
The text of the "Phos hilaron" (in English) is a classic evening text that contrasts the dimming of the setting sun with the brightness of God's light. Musically this piece is set for SATB voices a cappella
Original words reflect on the greatness of God and our human yearning for communion with Him. The rich, lyrical choral parts are enhanced by an elegant piano accompaniment, and an optional French horn part
Jane Marshall’s classic setting of Michelangelo’s prayer has been arranged by Geoffrey Edwards for SAB voices and accompaniment, making this beloved anthem accessible to smaller choirs or those
Inspired by Charles Wesley, this text celebrates the life of Jesus and His glorious resurrection. This flexible anthem provides varied performance possibilities for either SAB or SATB voices. The middle
Lynn Trapp's anthem celebrates the gift of our service to God, His kingdom, and His people. Beginning with antiphonal textures alternating organ and choir, all join together in an affirmative
This eminently approachable anthem sets text by Christina Rossetti asking for God to "give us ears to hear, eyes to see, wills to obey, and hearts to love." This a cappella motet features layered voices,