Micah 5

Originally conceived with full orchestra accompaniment, this glorious setting of LASST UNS ERFREUEN also works well with organ accompaniment. The choral texture varies by stanza and includes some choral

After a lengthy introduction featuring organ and C instrument, the choir enters singing HOLY MANNA, first in unison and then in canon. Transitional harmonic regions color the third verse, then the return of

Appropriate for All Saints, Easter or general use, this choral reflection on Revelation 21:1-4 has two versions: cello and piano; and violin, cello, and organ. Affirming and lovely.

Neil Harmon has created joyous new music, rhythmic and lively with 6/8 and 4/4 in alternation for this traditional carol text. The dance-like setting is full of infectious fun with nice key changes and

This expansive and reflective setting of the Beatitudes is influenced by Eastern Orthodox choral traditions. The use of a sonorous tone brings out the voices as they move through the homophonic texture. The

A wonderful match of an original melody and newly-written text. A reflection on the Christmas event centering on truth and grace.

A sumptuous banquet of six Christmas carols, this festival setting includes two verses each of Lo, How a Rose E'er Blooming; Infant Holy, Infant Lowly; Winds Through the Olive Trees; Ding Dong! Merrily

A Christmas lullaby carol in triple meter with a sweet melody, this piece is scored for SATB voices accompanied by piano and violin or chamber ensemble. The choral texture varies by verse, with verses one

A concertato on the tune WESTMINSTER ABBEY, this festive anthem is scored for SATB voices and optional treble choir, two trumpets, timpani, and organ. The four stanzas vary in choral texture, including one

This joyous setting for Easter abounds with energetic alleluias. A very singable melody and an air of celebration make this anthem a perfect way to begin an Easter service. Organ with optional brass

A brilliant brass fanfare introduces the festive LLANFAIR melody associated with this great Easter text. Three verses follow, with instrumental interludes between verses and a descant soaring over the final

This animated setting of the ancient tune CHRIST IST ERSTANDEN is fresh and yet timeless. Renaissance rhythms pair perfectly with the tune's austere nature. Absolutely stunning with brass quartet, timpani,

This newly-composed Christmas carol is a gentle invitation to the mystery of the Incarnation. The melody, scored for SAB voices and optional congregation, could also be sung by children's voices.

This concertato on ST. GEORGE WINDSOR begins with an introduction in which the melody is set against a jaunty countermelody of dotted rhythms, a motif which recurs throughout the piece. The first verse is

A dramatic poetic text inspired by a third-century Egyptian hermit is the inspiration for this choral setting that displays flowing melodies, luscious harmonies, and vibrant piano accompaniment. With a

Two short service pieces for mixed voices, brass and timpani will begin and end your service in resplendent style.  The introit is festive and brief, in C major, and can move easily to your favorite

This setting is based on a text by David Bjorlin honoring all those who share their creative gifts with the church. Whether as musicians, preachers, or those who are a living offering, many people hear the

With themes of unity, thanksgiving, and outreach, Mary Jackson Cathey's text is paired with the beloved tune ES FLOG EIN KLEINS WALDVOGELEIN. This hymn concertato is scored for choir, optional solo descant,

Stuart Forster's festive arrangement breathes new life into this beloved carol. Verses for choir alone, for men, and for women provide variety before the descant and enthralling harmony of the final verse

Neil Harmon has composed new music for the beloved traditional Christmas carol text in a sparkly, joyous 6/8. It can be accompanied by piano or organ and includes optional parts for flute, oboe, cello, and

"Hear on the night wind Rachel weeping." So eloquent, this choral reflection on sorrow and healing is scored for voices, piano, and cello. The voices are delicately interwoven, alternating chordal with