This dynamic collection presents four jazzy settings of favorite madrigals by Thomas Morley, John Bennet, and Orlando Gibbons. The first, Sing We and Chant It, is a relaxed jazz waltz with a

This 15-minute jazz mass setting fits the Missa brevis formula by only including the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei. Originally written for the Nidaros Cathedral Girl's Choir in Norway,

A highly original and effective concert setting of the Latin Missa brevis in which the various movements embrace a variety of jazz styles. The characterful piano accompaniment can be played as written or

Perfect for undergraduate and graduate jazz composition and arranging courses, as well as seasoned professionals, Jazz Composition and Arranging in the Digital Age is a comprehensive and practical

This short piano suite was written in response to the Covid-19 lockdown and features Chilcott's celebrated jazz style in three movements: Bobbing along, Becky's Song and Walking with Ollie. With a swing and

This piece sets the text of a well-known 16th-century madrigal of the same name by Thomas Morley in a jazz waltz style. This is a selection from the four-movement work Little Jazz Madrigals

Here's a catchy original tune on lyrics by Garth Bardsley that more advanced vocal jazz groups will appreciate. Swing rhythms and groove are vital to the big band style, with the playful lyrics expounding

The shades of Finzi and Vaughan Williams are strongly present in these three delightful unaccompanied choral settings, and yet the style and execution are wholly Rutter's own. O Mistress Mine is a

This is a funk, gospel-tinged, harmonically innovative arrangement of the popular Christina Rossetti carol, In the Bleak Midwinter. Scored for mixed voices with piano, shaker, and tambourine

Arranged by a celebrated jazz musician and composer, this version was originally published in Violin Jazz on a Winter's' Night. Written in a gentle South African township groove (inspired by

Christina Rossetti's poem is blended with a relaxed contemporary a cappella jazzy musical style in this unique concert work. Growing from three- to six-part harmony, the swing rhythms and style made famous

Will Todd's Mass in Blue is fast becoming a staple of the choral repertory. A dynamic jazz setting of the Latin Mass, the work features driving grooves and blues harmonies, with provision for short

Book 1
18 irresistible new pieces for solo piano
Suitable for young pianists around the level of Grades 2-3
Range of styles and moods, including jazz styles, new takes on Baroque and

This imaginative setting of the well-loved text displays the composer's characteristic rich and expressive harmonies with their jazz inflections. A superb choice for Christmas services and concerts.

This piece is taken from Passion Music, a concert and liturgical work that epitomizes Todd's love of blending jazz and choral music. Recurring melodies, changing meters, and extended harmonies

This beautiful arrangement of the 17th-century lullaby features subtle jazz inflections and artful imitation. The text seeks to create a calm and comforting atmosphere for sleep, emulated through gently

Brimming with groove and energy, this arrangement of the popular spiritual is a show-stopper! The syncopated melodies and jazz-infused harmonies are well supported by the piano accompaniment, which features

This modern setting of the traditional Christmas wassailing text includes an original melody with elements of vocal jazz harmonies. With a musical theater element that is very appealing, this piece is fast,

This thrilling arrangement of a traditional Cornish carol has a gentle South African feel and features scat singing and chromatic shifts in harmony. The traditional melody in 6/8 time is set against a

Originally presented as a treble piece in his Jazz Songs of Innocence, this adaptation allows mixed choirs to enjoy this jazzy setting of William Blake's text. Chilcott's extended harmonies

This tender selection asks for comfort, peace, and relief from sorrow and uncertainty, expressed through the use of rich, dense vocal jazz harmonies and changing meter throughout. The use of rubato and