John.18

For soprano & piano. First printing. Texts by Richard Nickson. Contents: Carpe Diem; The Silenced Majority; Silent Partners; The Question; Painless; Debutantes' Song; To a Wealthy Widow; To Each His

A 30-minute dramatic song cycle for soprano, baritone, and piano with brilliant and witty texts by Mark Twain, this four-movement work is both whimsical and deeply moving. The narrative expresses the

Powerfully poignant and equally tender, My Dearest Ruth is Garrop's musical setting of the final love letter from Martin Ginsburg to his wife, the opera-loving Supreme Court Justice Ruth Bader

For soprano, clarinet, violin, cello & piano. Custom print edition. In one movement. With a program note by James Ginsburg, and a composer's note. Commissioned by Jane and James Ginsburg for the 80th

Powerfully poignant and equally tender, My Dearest Ruth is a musical setting of the final love letter from Martin Ginsburg to his wife, the opera-loving Supreme Court Justice Ruth Bader Ginsburg,

Carter Pann's three songs of remembrance create freshly new colors and moods, always remaining melodic and idiomatic for the voice. The songs were born of admiration for soprano/poet Meagan Mahlberg's

A beautiful extract from Garrop's major oratorio Terra Nostra, set to the poem by Walt Whitman. Terra Nostra considers, through texts and poems, the world as it was, humanity's rise and

For soprano, flute, clarinet, piano, percussion, violin & cello. First edition, custom print. Commissioned by Carnegie Hall through the Weill Music Institute. Premiered on October 10, 2004. Poems by

Robert Russell Bennett is perhaps best known for his work orchestrating more than 300 Broadway and London productions between 1920 and 1976, but he was also a prolific composer of concert works. This song

This set of delightful art songs for mezzo-soprano voice are based upon three charming poems by the composer's father. A valentine for mom, a note to his son's elementary school teacher, and even words of

Ruth Crawford was a pioneering subversive in both American music and socioeconomic politics. In 1932, she discovered H.T. Tsiang's polemic poetry in The Daily Worker (a NYC-based Communist

With an original text by the composer, Nkeiru Okoye's We Met at the Symphony is a monodrama in three songs for soprano and string quartet or piano. The songs tell the story of a Black woman

With an original text by the composer, Nkeiru Okoye's We Met at the Symphony is a monodrama in three songs for soprano and string quartet or piano. The songs tell the story of a Black woman