Acts.12

Why should the brass get to play all of the fanfares? This a thrilling and unique concert opener for wind ensemble, minus brass, allows your band to stand out while the brass get to take a well-deserved

Using lush harmonies and a variety of textures, this emotion-filled work is carefully orchestrated to bring out the rich sonority of the symphonic band. Mid-level Bands will sound impressive performing this

Driving and powerful, your youngest musicians will own the stage with this intense concert work. The title of the piece is a play on the math-music connections that have often been stated in cognitive

This ragtime standard is great piece to showcase your best flute players at any concert.  Fun for the performers and the audience. The band is medium level; solo flutes are medium advanced. The piece

Finally! Now young bands can experience the excitement and drama of one of the most popular overtures of the Romantic period. The widely recognized themes have been well written for young players while

The 1812 Overture is a breath-taking finale arrangement in our Classical Concert Series for Grade 2+ flex-bands, orchestras and ensembles of all sizes. Tchaikovsky's thunderous themes are shared seamlessly

This well-scored arrangement with optional strings opens with the slow chorale-like theme from the beginning of Tchaikovsky's famed overture. From there it builds to the familiar dynamic strains and

This powerful work brings a sense of strength and a true flair for the dramatic. Bold brass fanfares, crisp percussion, flowing woodwind lines, and strong tutti sections come together to create a piece that

This vibrant contemporary composition has three contrasting movements inspired by the many positive and optimistic developments of the 21st century. The first movement is an active and invigorating vision

Composed for young musicians in their first years of learning, this is a musical salute to the many pioneers who ventured west in search of gold and good fortune. The spirited music reflects the

Intended for very young bands, this march uses the first six notes in a creative way that enables young students to develop independent part playing and introduces some imitation. With a short percussion