Why should the brass get to play all of the fanfares? This a thrilling and unique concert opener for wind ensemble, minus brass, allows your band to stand out while the brass get to take a well-deserved

This magnificent and meticulously presented arrangement includes the gorgeous opening in the original key of E-flat major, the exciting C minor imitative, and the transitional section arriving at the iconic

This inspirational text by Henry Wadsworth Longfellow is framed with a rhythmic ostinato in a crisp a cappella setting. The piece may be performed SSA with optional solo or SSAA with equally divided voices,

Here's a sparkling rendition of the traditional English carol that is sure to be a holiday concert highlight! The dazzling piano accompaniment frames the piece and the choral harmonies are bright and clear.

The rousing march music of John Philip Sousa has been an audience favorite for generations. This spirited medley combines themes from four of Sousa's most famous marches: The Washington Post; Semper

Pulitzer prizewinning composer Shulamit Ran provides a grand statement in praise of the pursuit of knowledge. Wisdom, understanding, and learning are highlighted as the means to justice, judgment, and

This lovely setting of the well-known melody uses the traditional Latin "Agnus Dei" text. Lots of teaching opportunities can be found in this Baroque work, beautifully adapted for choirs. Wonderful!

Although this is an original work, the words, which simulate a tribal language, give it a world-music feeling. In fact, the chant-like character of the piece almost makes you feel as though you are taking

A triptych of pieces for harp (or piano) and SATB divsi chorus using texts by poet Christine Schenk. Her version of the "O Antiphons" provides a means of contemporary reflection on those ancient texts. The

The timeless music of John Ness Beck surrounds a penetrating text that recognizes the power within each of us to be "a beacon for the world, a torch that will never die" as we reach out with comfort,

In Sara Teasdale's poem After Love, the opening line "There is no magic any more" establishes the theme of vanishing love. This setting of the poignant text, in the dark key of D-flat major,

This reflective composition for a cappella choir uses overlapping, repetitive homophonic textures with harmonies in sustained clusters which build to an emotional climax. This is a prayer for understanding

Al Shlosha D'varim is a lyrical setting of an essential maxim from Jewish morality laws, translated to mean: "The world is sustained by three things: by truth, by justice, and by peace." Available

A very poignant song. Phrases such as "Hush little baby, don't you cry, you know your mama was born to die," or "Oh my brothers, I must leave you here behind," view the approach of death in terms of those

With a text based on Psalm 150, this a cappella anthem uses spiritual, jazz, and gospel elements. After a contemplative opening, the music shifts to upbeat and declamatory as the basses lay down an ostinato

Commissioned by Janet Galvan for the Ithaca College Composition Competition and Festival, Trumbore has set the contemporary poem "Earth Day" by Annie Finch. This poem is a celebration of all that the planet

Described as "brilliant" and "heartfelt," this is the final movement of Craig Hella Johnson's epic work "Considering Matthew Shepard," a tribute to the young gay man who has become an American icon and a