Ephesians.5

In the SSAA voicing, this piece went viral when the Colorado All-State Treble Choir sang from the balconies in a hotel lobby! This a cappella arrangement of the folk hymn made popular in the movie "O

This arrangement for emerging treble choirs beautifully blends unison, two-part, and three-part singing and has a brief optional solo opportunity. The harmonic language lends itself to ease of learning and

Possessing crisp a cappella harmonies and cool syncopation in the vocal parts, this work is a solid choice for developing choirs in both concert and festival settings. An original bridge augments the

Possessing crisp a cappella harmonies and cool syncopation in the vocal parts, this work is a solid choice for developing choirs in both concert and festival settings. An original bridge augments the

The driving forward motion begins with the hushed opening and never lets up! This a cappella setting of the traditional spiritual is musically satisfying with full choral harmonies and fun vocal

A statement of faith through the voice of the enslaved, this straightforward and effective setting will resonate with treble choirs at varying levels.

Opening with just a shaker and unison voices, the percussion ostinatos (notated in the score) and traditional choral harmonies gradually unfold into full harmony. Well-planned key changes ensure successful

A challenging new arrangement of the old gospel favorite Get on Board. Here is a rare opportunity for treble choirs to imitate the "woo-oo" of a train as the melodic ideas pass through the various

This superb a cappella arrangement is an inspiring tribute to the heroism of Harriet Tubman. Vocal percussion effects, well-written harmonies, train sounds, and call-and-response singing work together to

Stacey Gibbs wants to "bring life" to the spiritual for use in the concert hall. This arrangement confirms why his arrangements are so popular. The rhythms and harmonies are fun to sing and he builds things

Now available in SAB voicing, this is an a cappella arrangement of the beloved Robert Lowry hymn. A combination of sustained and descending vocal lines creates harmonies that travel close together, then

This setting builds from melancholy reflection to an outpouring of joy, with tempo changes, solo fragments, a little divisi, and some rhythmic diversity along the way. Some extended vocal lines, with quite

This lesser-known spiritual has a theme of resilience and home presented chorally in a call and response format. With considerable flexibility for improvisation, inflections and note bending by the chorus,

Emerging treble choirs will love singing this beloved spiritual arranged with their specific ranges and abilities in mind. Teach historical context, tone, and style with this flexible offering that can be

This exciting spiritual, with accompaniment for high, medium, and low conga drums, is an unusually appealing number suitable for a wide variety of uses, from smaller choirs to massed choir

A welcome "big choral" setting of a classic spiritual, this unaccompanied setting has divisi in all parts, a touch of chromaticism that is totally in character, and plenty of variation in texture, tempo,

This setting of My God Is a Rock is dynamic and challenging while still upholding the authenticity of the spiritual. Texturally captivating and unique in its construction, it features two treble