Isaiah.6

A very poignant song. Phrases such as "Hush little baby, don't you cry, you know your mama was born to die," or "Oh my brothers, I must leave you here behind," view the approach of death in terms of those

This bright and festive a cappella work is set for has become a standard in choral literature for both festival and church choirs. The SSAA and TTBB versions have been adapted by Tim Sarsany.

A long-time favorite on the festival circuit, this dynamic, exciting, joyous selection surpasses the ordinary! Syncopated rhythms and changing meters, combined with a sizzling piano part, make this a

Now in a second edition, this unique blend of bluegrass instrumentation and the familiar text of Gloria lends a new - even fun - perspective to the Mass tradition. Newcomers to either the classical or

Beginning with joyous acclamations, this exuberant piece features a polyphonic middle section followed by a lyrical presentation of the "amens" and the return of the homophonic style in the closing

In the midst of pain, of war, of brokenness... we choose love. We choose community. What better way to share this message than through powerful song...  and that's exactly what you'll find here. This

"May the roads rise up to meet you, may the winds be always at your back... until we meet again." Available in a cappella and accompanied versions, the lovely choral texture utilizes straightforward rhythms

With an ever-changing time signature, this setting of the traditional Latin text is gentle but effective. The colorful piano accompaniment combined with the modern harmonic dissonances and clusters in the

This traditional spiritual carries in its essence the longing for peace and rest. The bittersweet spirit is front and center in this arrangement enhanced by sensitive part writing, an optional solo, and a

This lyrical work for mixed chorus with piano can be a meaningful addition to your Passion Sunday or Holy Week observances. The beautifully crafted part-writing underscores a lovely melody

Singer/songwriter Eliza Gilkyson wrote Requiem as a song of grief following the Asian tsunami in December 2004, and the song found a renewed audience after Hurricane Katrina devastated the Gulf

This may be the coolest piece to appear in years! This innovative choral adaptation of a classic praise and worship hit features Swahili and English text inspired by the Psalms. The indigenous percussion

Sing Unto God is a practical new edition by James Chepponis of Handel's celebrated chorus from Judas Maccabaeus, scored for SATB and keyboard, with flexible additional options including

Deeply expressive, an old poem is treated with rich harmonies to become a moving closer for concerts or festivals. Written with an ear to the a cappella glee club tradition, the incorporation of Dvorak's

This energetic number can serve as a church anthem of praise or a concert number of celebration for high school, college and community groups. The 7/8 pattern is entrancing and fun, the harmonies playful

Inspired by the Largo from the "New World" symphony and a text from an American spiritual, this work of extraordinary depth offers a glimpse into the hereafter. Scored for voices, strings, and

Luxurious in harmonic language and choral timbre, this magnificent octavo describes the angel's announcement of Christ's birth to the shepherds. Emerging poetically from stillness, the piece opens

With a text by Louis de Montfort, this is a hymn of devotion and total surrender to a power greater than ourselves. The lush extended harmonies proceed from a pedal point and continue in straightforward

The beloved Latin text is set in an elegantly simple texture with conservative ranges. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the chant line. In a variety

Vidi aquam is an a cappella setting of a sprinkling rite for Eastertide. This work is written in a style that results in music that is ever-changing; flowing in one harmonic direction but never