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2000.fi was composed as a fanfare for the new Millennium and is a solo vehicle for drums. The writing is very contrapunctual in some sections. It benefits from twelve-tone technics in some of its

Originally written for the Sammy Nestico Dark Orchid recording and later reprised on A Portrait of Sammy, this iconic swing chart gives all the solo work to piano, first in the opening 48 measures, then

Harry James, one of the leading trumpeters of the Swing Era, was a huge fan of the sound and style of the 1950's Count Basie Orchestra. James hired several of Basie's arrangers to write arrangements for him

This is one of the most famous vocal studio orchestra arrangements, recorded by Dean Martin in 1960. This is the authentic and swinging version that Nelson Riddle created to showcase Martin in his

Choose a relaxed tempo, add a walking bass line, plus a gentle rhythmic figure from the saxes and you have the perfect intro for Michael Buble to give this great standard the real style for which he has

This Pete King arrangement, in the style of Nelson Riddle, was written for Dean Martin's 1959 album "Sleep Warm," conducted by Frank Sinatra. The arrangement begins with reeds on flutes and clarinets.

Here is a terrific transcription and adaptation of Nelson Riddle's chart done for Frank Sinatra's "Strangers in the Night" album. Sinatra often referred to this song as his first hit, a reference

Transparent and gentle textures permeate this treatment of Jeff Coffin's lyrical South African-inspired jazz waltz. Commissioned by Jeff for the 2011 Massachusetts All-State Jazz Band, Bob Washut's

Vibraphonist Terry Gibbs is known for his electric, high energy sound with the Gibbs Quartet and the Terry Gibbs Dream Band. Producer Bob Shad had a contract to produce an album with Gibbs. Shad's idea was

At Long Last Love has been transcribed from Frank Sinatra's 1962 album "Sinatra and Swingin' Brass," the original arrangement being by Neal Hefti. The chart swings hard from start to finish, yet