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Ring in the season with this lively arrangement of the French carol Sing We Now of Christmas, including a hopeful, scripture-based text for Advent. Adapted from the cantata "A Garland of Carols,"
With quiet, flowing characteristics, the text of this anthem aptly depicts the imagery of the Advent season. Optional flute and cello parts complement the texture and expressiveness. The flexible choral
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Mark Hill crafts an anthem of gentle transcendence based upon a poem by noted theologian Richard Mant. Expressing a quiet yearning for the Messiah in its opening, the piece builds to a glorious conclusion.
Choirs large and small will find this flexible anthem to be a tender addition to their Advent repertoire. The readily learned piece is accompanied by piano and includes a lovely cello obbligato. It can be
An original melody by Lloyd Larson combines with Bach's timeless Wachet Auf in this inspiring anthem. Accessible to choirs large and small, this selection is a beautiful addition to any Advent
This buoyant anthem will be readily learned and appreciated by choirs large or small. "O come, Divine Messiah, the world in silence waits the day when hope shall sing its triumph, and sorrows flee away."
This tender prayer celebrates the hope that God would come to earth and fulfill the promise of the ages. The poignant theme is suitable for any Sunday during Advent, and the piece is quickly learned, making
Ruth Elaine Schram pairs the chant-like O Come, O Come, Emmanuel with an expressive original melody to create this sensitive Advent anthem. Its flexible voicing makes this piece a versatile choice
This great Advent anthem from Pepper Choplin is inspiring and very appropriate for the season. The classical feel of the piece is supported by the excellent orchestration. The piece also includes O
Victor C. Johnson provides this strikingly beautiful setting for the familiar Advent text. The flowing accompaniment enhances the choral harmonies in a quiet celebration of the Child who will bring peace on
This awe-inspiring anthem exquisitely pairs the beloved SALLEY GARDENS melody with ancient translations of Lo, How a Rose E'er Blooming. A charming flute obbligato and lyrical accompaniment enhance
Full of majesty and power, this striking setting of an ancient Jewish tune and Hebrew text focuses on worshiping Jehovah, the great "I AM." Brian Buda's confident choral writing is enhanced by the