With a walking bass line, sizzling horns and over-the-top vocals, this rockabilly hit from Queen gets a vocal jazz remake! Equally effective with pop/show choirs, this chart will put your group on the

This mashup combines Queen's Crazy Little Thing Called Love with Billy Joel's It's Still Rock and Roll to Me. The well-written arrangement has moderate vocal

The third in a set of three songs titled Love Was My Lord and King! based on the poetry of Alfred Lord Tennyson. For TTBB chorus and chamber orchestra or piano. Commissioned by the Orpheus Male

This popular torch song was originally composed for Ella Fitzgerald, but ended up being dropped from the film "Pete Kelly's Blues." She would eventually record it six years later, but in the meantime, a

This touching ballad provides a tender moment in the middle of the smash hit hip-hop musical "Hamilton." Rhythmic yet lyrical, the melody winds beautifully through solo and choral passages with warm

A festival arrangement of the traditional carol that is sure to impress. This reimagined classic features colorful harmonies, vibrant rhythms, theme-and-variations surprises, and a fantastic accompaniment

Ranked on Rolling Stone's 500 Greatest Songs of All Time, this 1973 soulful soft rock song by the Eagles can occupy any place in your concert. There are two short solos at the start before the rest of the

The first movement of the trilogy Divine Encounter is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as a celebration rather than the meditative,

Written in 1962 during the Cuban Missile Crisis, this meaningful classic is a plea for peace and an affectionate portrait of the spirit of Christmas. The arranger brings a sense of cinematic scope and

The beautiful, haunting melody of this choral standard sounds full and rich in this arrangement for ensembles of any size. The addition of the orchestration will truly elevate this piece!

Dry Bones has never been this much fun! Mark begins by telling the story of Ezekiel's vision with his own original lyrics. Wonderful changes in feeling, sometimes dramatic, sometimes rhythmic, make

The 1978 hit from the rock band Kansas, with its melancholy melody and philosophical lyrics, is hauntingly arranged for men's voices, complete with bass guitar and string quartet on the recorded