Romans 3

An enticing rarity in the vocal literature, 1861 is a 5-minute work for unaccompanied voice – a miniature monodrama, sung a cappella. Okoye's music and dramatic pacing are in tune with

For baritone/countertenor & cello. First printing. Composed for the Christopher Caines Dance Company. Premiered in New York, June 2004. Texts by Ezra Pound. Includes program and performance notes.

The vocal and musical abilities of high school and college singers have guided the song choices in this series. These volumes introduce classical voice students to 20th-century American art songs through

For tenor & guitar. First printing. A collection of six songs. Includes program, performance and biographical notes. Score, 23 p.

Love and loss are the themes of this moving poem by A.E. Housman. The musical setting for tenor and piano encapsulates the deep emotion inherent in the poem.

For tenor & piano reduction. Dedicated to Placido Domingo and the Pacific Symphony Orchestra. Duration: ca. 25'. Score, 50 p.

For tenor & piano. First printing. Originally designed for Baritone, these songs were rewritten for Tenor in 1998 and first performed in Melbourne by Michael Smallwood and Len Vorster on 6th February

A dynamic collection of 20th-century and standard English and American art songs for developing singers. Available for soprano, mezzo-soprano, tenor, and baritone, with unique repertoire for each voice

For tenor or baritone & piano. First printing. Five songs on texts by Fauset and Grimke. Score, 28 p.

For tenor & piano. First printing. Contents: The Melancholy Year (Trumbull Stickney); Striving to sing glad songs, I but attain (James Thomson); Sonnet (Elizabeth Bishop);

A setting of four heartbreaking and poignant folk songs, dealing with themes of death, murder and unimaginable events.

Commissioned by Lynx Project for its 2017 Autism Advocacy Project which sets the words of individuals with autism to music in newly commissioned art songs, Hall's six-minute song cycle for tenor