Psalm.103

Dotzauer études have been part of the standard repertoire in cello lessons for generations. Friedrich Dotzauer (1783-1860) was among the major cellists and cello pedagogues of the 19th century and

Mahler's masterpiece from Symphony No. 5, this arrangement is quite true to the original. Will require at least three advanced players, with skills in tenor and treble clef. Being able to subdivide is a

Only after 1900 did this work become popular thanks to the young Pablo Casals among others, who frequently included it in his concert programs. Today it is unquestionably one of the favorite pieces among

Amore Scaduto (roughly translated "Broken Love") borrows its title from a romance novel that composer Lee Hyla saw at a newsstand in Rome in the autumn of 2004. This brief duo for violin and cello

The Barnyards O'Delgaty is one of the most famous 'Bothy Ballads' (a song sung by farm labourers in the northeast region of Scotland). The farm of Barnyards is on the Delgaty estate a mile north east of

Without a doubt, Dvorak's melodious cello concerto numbers among the most popular of its kind. Written in the winter of 1894/95 while the composer was in America, the work underwent several revisions,

This single-movement sonata for cello and piano, Evgeny Kissin's Opus 2, evokes a sombre, melancholic ballad. The approximately ten-minute work from 2016 places high demands on both instrumentalists in its

The latest volume in this popular series expands the repertoire of intermediate violoncello students with some unusual transcriptions. This time the editor, Árpád Pejtsik, has arranged

The last part of Penderecki's Polish Requiem, dedicated to Pope John Paul II.

Nikolai Kapustin's composition Elegy enchants through the beautiful and slightly nostalgic main theme which follows the short piano introduction. This is further developed in the interplay of the

Flow like water, because water always seeks the path of least resistance, yet is strong enough to demolish even stone when no recourse is available.

The title of this trio for flute, cello, and piano reflects the interconnected binary nature of the piece. The music begins slowly and deliberately, in a musical language which is tense and expressionistic.